An artist who asked to be identified as Jerry Vile obviously has a sense of humor, so his guerrilla addition to Detroit’s “Monument to Joe Louis” (aka The Fist) is his tongue-in-cheek way of preparing the citizens of his beloved city to brace themselves for the … er … punch of bankruptcy.
The artists told Bill McGraw of Deadline Detroit (DD): “Things are going to hurt … We’re just trying to grease the wheels of justice. Now, instead of selling something from the [Detroit Institute of Arts] DIA, this is being given to the city of Detroit. They can sell this.”
One DD commenter, replying to another commenter who called the work disgusting, explained: “LOL. I’m sorry you’re insulted by this. The city of Detroit has been taking it up the ass by crooked politicians for years … this ONLY makes sense.“
The work was removed today, though the city told DD that it was removed “as abandoned property” only “after consulting with Detroit Institute of Arts officials.”
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Xenobia Bailey, Jeffrey Gan, Elizabeth G. Greenlee and N.E. Brown, Siera Hyte, Maru López, and Olivia Quintanilla will contribute to a Hyperallergic Special Issue on underrepresented craft histories in 2023.
An investigation by Forensic Architecture and Al-Haq into the killing of Shireen Abu Akleh looked at previously unseen footage and unpublished autopsy reports, among other evidence.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
This is what happens when boozed-up patrons party next to priceless mosaics, statues, and vases.