Thank you for registering!
An account was already registered with this email. Please check your inbox for an authentication link.
As an independent publication, we rely on readers like you to fund our journalism and keep our reporting and criticism free and accessible to all. If you value our coverage and want to support more of it, consider becoming a member today.
Today, Hyperallergic will be immersed in something we like to call Videodrome, named after the 1983 classic Canadian sci-fi film by David Cronenberg.
Join us for the 12-hour video journey that will conjure up the bizarre, educational, surreal, manipulative, and magical videos that litter the internet.
GIF via
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
This week, the return of the “dumbphone,” the future of music criticism, and a primer on how to title an academic paper.
Perfectly timed for maximum press attention, the performative closure of the country’s pavilion is opportunistic and cynical.
By interacting with Eloïse Bonneviot and Anne de Boer’s spatial installation in Prague, viewers create speculative scenarios for an ecologically aware city.
Each of 69 squares is being sold as a print to directly support a family trying to flee Gaza.
Guerrilla Girls share an MLK-inspired letter the artist sent them in 1994.
Register for credit-bearing summer art studios (online and in-person) for high school and college students to explore new ideas and artistic media at Cornell AAP.
The exhibition Disguise the Limit highlights the many different ways Yau has worked with a wide range of visual artists over the past five decades.
Beatriz Nascimento’s groundbreaking research defied dominant White Brazilian academic narratives, instead emphasizing Black political agency.
Women figurative realist painters can propel their careers by entering to win $50,000 and a traveling solo exhibition of their work. Applications are open through October 4.
“My practice has grown in new ways just from being in close proximity to other artists.”
Photojournalist Mohammed Salem captured a Palestinian woman embracing the body of her niece, who was killed by an Israeli airstrike.
