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Thank You to Our July Sponsors

Our readers know Hyperallergic is the blogazine of choice for intelligent, funny & insightful discussion about art. Our sponsors know that too. Once a month we introduce our sponsors to our readers and let them know a little more about who they are and what they do. You can say thanks to the companies that support Hyperallergic by tweeting them or following them on Facebook.

Designed by Pritzker Prize-winning architect Tadao Ando and situated in St. Louis’ Grand Center district, the Pulitzer Foundation for the Arts presents changing exhibitions and engages in a variety of programming initiatives involving the visual, literary, and performing arts.

The Pulitzer is hosting stylus, a project created by Ann Hamilton for the Pulitzer Foundation for the Arts. Conceived in response to the Pulitzer’s mission to be both a sanctuary and laboratory, the installation is structured around live acoustic elements and will be punctuated by participatory workshops which will occur throughout the project. This installation offers many opportunities for visitors to interact directly with Ann Hamilton’s work.

Follow the Pulitzer on Twitter or Facebook.

The Film Society of Lincoln Center is one of the premiere venues for avant-garde film in New York. Entering its 14th year, Views from the Avant-Garde is an annual celebration under the auspices of the New York Film Festival, screening the best and boldest experimental film and video from around the world.

To keep up-to-date on upcoming avant-garde films sign up for their mailing list at filmlinc.com/signup, follow them on Twitter @filmlinc, or become a fan of the Views from the Avant-Garde on Facebook.

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Interested in being a sponsor? With over 1,000 daily readers, 1,900 Facebook fans, 1,500 Tumblr followers, 1,300 Twitter followers and over 1,200 feedreaders, Hyperallergic readers are smart, tech-savvy influencers who are interested in visual art from around the globe. To find out more about our sponsor packages, visit Nectar Ads, the ad network for art.