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Banksy’s latest stencil reimagines an anonymous arch on a New York street into a Japanese bridge traversed by ladies and adjacent to a bonsai. It is a clever reinvention of an everyday object into something new, which street art does best.
If this work was from a no-name artist, I think we’d all take a look, smile and walk by, but since it is by Banksy, then … well, let’s wait and see …
The obvious allusion is to the work of African-American artist Kara Walker but without the subtext of American history. While Banksy’s official Instagram account suggests the work is in Brooklyn Bedford-Stuyvesant neighborhood, we do not have confirmation on the location yet. (Update, 11:37am: We have received unverified word that the piece is at Graham Avenue & Cook Street in East Williamsburg.)
Also, Banksy seems amused that the NYPD is out to get him.
Update 2, 1:50pm EDT: A tagger was apparently knocked out at the scene, per Instagram and Animal NY. The latter source also has images of the impromptu restoration effort undertaken by bystanders post-vandalism.
Update 3, 2:36pm: And here’s a video, via Instagram, of the restoration:
Update 4, 4:00pm EDT: I visited the location of the newest Banksy, which is most definitely in Williamsburg and blocks away from any semblance of Bedford Stuyvesant. The work had been restored (rather well, though not perfectly) and as you can tell from the pictures, it is in good shape.
The building’s owner told the building supervisor, Feliciano Perez, to stand guard for future vandals. I asked Perez a few questions about his job protecting the latest Banksy.
Hrag Vartanian: Are you here to make sure there is no graffiti?
Feliciano Perez: Yes, someone is going to come and put a cover to protect that thing.
HV: Why does the building owner want to protect it?
FP: He says, everyone says that he is very famous the guy who did that and he’s going to protect it.
HV: What do you think about protecting graffiti on a wall?
FP: I think it’s good that the guy is very famous and I think it’s fine.
HV: Has there been more than one person who has tried to come and tag it?
FP: No, only that one guy who tried to.
HV: Was he arrested?
FP: No, the police never come. I don’t know if someone called them.
Update 5, 4:28pm EST: Last night, I visited the Tribeca Banksy to discover that it has in fact become a full-on memorial to 9/11:
And now we learn that the Tribeca Banksy has been vandalized by SixCentz, which is a hip hop website that described itself on its website as “creating social awareness, through the elements of hip-hop.” is protesting the destruction of 5Pointz and placed a paper on the plexiglass covering the work that reads, “Hate Banksy, Save 5Pointz, Love SixCentz”:
We reached out to SixCentz for comment on the matter and have yet to hear back.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.