You can’t always guarantee how people see things.
Lauren Purje (b. 1987) grew up in Dublin, Ohio and graduated from Ohio University in 2009 with a BFA in Painting. She moved to Brooklyn, NY in 2011 where she currently lives and works. This series of comic... More by Lauren Purje
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Activists in Española had peacefully gathered to protest a monument of Juan de Oñate when Jacob Johns was allegedly shot by a man wearing a Trump hat.
The Whitney, the Rubin, and many others shuttered or delayed their openings and heavy rains flooded the Noguchi Museum basement.
Curated by Berta Sichel with Patricia Capa, this group exhibition centered on the Amazonian rainforest, its native societies, and ecologies is on view in NYC.
The international community has decried his sentencing as a violation of human rights.
This week, satellite images capture lines of cars carrying Armenians fleeing Nagorno-Karabakh, an Ethiopian painting looted by the British Museum, digitizing Urdu script, and much more.
View work by UArts students and iLAB artists-in-residence at POST, the largest, self-guided, free tour of artist studios and creative workspaces in the region.
The Bronze Age artifact is of an “extremely rare” kind, researchers say.
The museum says the $38 million pavilion required costly repairs that delayed its opening.
The first prize winner will receive $25,000 and a commission to portray a remarkable living American for the Smithsonian museum’s collection.
Mario Schifano moved nimbly among different modes and never settled into a style, which sets him apart from many of his contemporaries.
When White-dominated arts institutions would not offer them opportunities, Robert L. Douglas and other Louisville Black artists organized together to create their own art communities.
Adorable comic. However, I think most artists understand that there is a gap between their experience and the experience of their audience. The question for the artist then becomes largely: in what ways can I deal with this inevitable disconnect? Not so much: how do I inject my experience into my audience?
Hence the “tragic-absurd” observation, Graeme!
This is why you sell through galleries. You don’t have to know *why* it was liked.