Yayoi Kusama’s I Who Have Arrived In Heaven continues at David Zwirner Gallery (525 West 19th Street, Chelsea, Manhattan) until December 21.
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
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This week, a hunger strike to end caste discrimination, Glossier’s rise and fall, puppies perform Mozart, writers sue OpenAI, and why is everyone mad at Hasan Minhaj?
I gave myself an imagined budget and set out to find everything from dorm-room art to a housewarming gift for that friend who loves crystals.
Featuring two decades of interdisciplinary art along with new work created in response to the ongoing Women’s Rights Movement in Iran, the exhibition is on view in Hartford, Connecticut.
With the Gilbert & George Centre, those two-forever-in-one (or one-forever-in-two) living sculptors have made a bid to claim immortality.
By choosing the unforgiving surface of toothed paper and making irrevocable marks, Nutt enters a territory few American artists have dared to go.
International curators and experts discuss major exhibitions and the promise and dangers of artificial intelligence at these free online events.
Marking the 80th anniversary of Antoine de Saint Exupéry’s book, a bronze statue of the beloved traveler can now be seen on Fifth Avenue.
I Am Seen…Therefore, I Am at the Wadsworth Atheneum counters the racist images of Black Americans that were presented in mainstream media in the 19th century.
The museum celebrates the artist’s work in film over two decades with three free screenings followed by a conversation with Niro in NYC on October 7.
The discovery dating back to the Iron Age indicates that children may have worked in the present-day Austrian region’s salt mines.
Let There Be Neon in Tribeca made a name for itself as an essential resource for artists, from Keith Haring to Laurie Anderson.
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