Opinion
Israel's Plan to Artwash Genocide at the Venice Biennale
The artwork at the heart of the pavilion promises to continue the project of denying Palestinian existence.
Sponsored
Announcement
Interdisciplinary Graduate Programs at SFU’s School for the Contemporary Arts
Transform your art practice with access to internationally-recognized faculty and state-of-the-art facilities in downtown Vancouver. MFA and MA applications are accepted through February 15.
Daily Newsletter
The Political Power of Glitter
Damien Davis on the loss of an artist's archive, glitter's defiance, Mona Lisa in the Epstein files, and more.
Weekly Newsletter
The Art World's Epstein Problem
How to root out corruption and depravity in our community, artists against ICE, the Washington Post lays off its art critic, the pitfalls of archival art, and more.
Opinion
When Artists Lose Their Archives
I couldn't afford my storage unit anymore. After it was auctioned off, I found out that parts of my lost work were being sold online.
News
Brooklyn “Wall of Tears” Lists Names of Children Killed in Gaza
Local artist Phil Buehler said he unveiled the memorial display to help people “see something that they otherwise can't see.”
Features
The Unruly Politics of Glitter
In the visual arts, glitter has been used to make the presence of such marginalized identities impossible to overlook.
Art Review
Does It Have to Mean Something to Be Great?
Joanne Greenbaum’s cacophonous symphony of individual marks, shapes, and colors coheres without obscuring the individuality of each element.
News
Mona Lisa’s Face Redacted in Latest Trove of Epstein Files
The decision to cover the world’s most famous portrait feels particularly misguided as the DOJ faces accusations of releasing sensitive victim information.
Daily Newsletter
The Art World After Epstein
How can art institutions reject corrupt funding, the Washington Post lays off its art critic, art books to read this month, and our weekly community columns.
Opinion
Epstein Files Expose the Depths of the Art World's Rot
How do we empower arts leaders to reject funding from corrupt individuals in favor of donors who have proven themselves to be civic leaders?
Community
Art Movements: Ekow Eshun Heads to Santa Fe
The London curator is tapped to curate the SITE biennial, Mnuchin Gallery closes, a buyer spends big money on a tiny Michelangelo foot drawing, and other industry news.
News
National Gallery of Art Acquires Stirring Artemisia Masterpiece
“Mary Magdalene in Ecstasy” (c. 1625) is the first work by the Italian Baroque artist to enter the institution’s collection.