The fair will feature 95 galleries featuring top modern and contemporary paper-based art.
Hyperallergic sat down with Edgar Heap of Birds to discuss his current exhibition at MoMA PS1.
The museum’s collection now includes a mixed-media garment by Jeffrey Gibson and an aluminum signage piece by Edgar Heap of Birds.
SITELines.2018: Casa tomada, is the third installment in SITE Santa Fe’s reimagined biennial series with a focus on contemporary art from the Americas.
The mementos and keepsakes that populate many of this show’s artworks were once ordinary objects but now appear totemic.
The outcry over Sam Durant’s sculpture at the Walker Art Center has provoked reflections on past memorials for the US–Dakota War, and how Dakota Nation voices continue to be ignored.
This year, the biennial has carved a conversation about displacement in the Americas, using art to question whose history we revisit.
Despite curatorial missteps, 2018’s SITE Santa Fe contributes to an ongoing and timely conversation in the Americas about identity, displacement, and colonialism.
This week in art news: the Legacy Museum and the National Memorial for Peace and Justice opened to the public, all but three of Columbia University’s visual arts MFA students demanded tuition refunds, and a Bernini sculpture lost a finger.
Though he has both claimed to have and denied having Cherokee heritage, institutions often present Durham as a Native American artist.
With public art pieces, biting political, text-based work, and more intimate abstract paintings, this small exhibition illuminates Heap of Birds’s expansive career.