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# A View From the Easel
- URL: https://hyperallergic.com/a-view-from-the-easel-310/
- Published: 2025-11-06T20:49:37.000Z
- Updated: 2025-11-24T16:37:10.000Z
- Description: “My studio offers fewer distractions and less cat hair.”
- Author: Lakshmi Rivera Amin
- Tags: Community, A View From the Easel, #wp, #wp-post, #image-position-hidden, #Import 2025-11-24 09:41 (2025)

Welcome to the 310th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists turn floors into paintings and discarded items into works of art.

Want to take part? Check out our [submission guidelines](https://hyperallergic.com/47316/submit-your-workspace-to-a-view-from-the-easel/) and share a bit about your studio with us through [this form](https://forms.gle/Erq7cyGEmMUxKrLe9?ref=hyperallergic.com)! All mediums and workspaces are welcome, including your home studio.

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## Karl Mckoy, New York, New York

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2025/11/studio-1-karl-mckoy.jpg)

***How long have you been working in this space?***

Eight years. It's where I live.

***Describe an average day in your studio.***

I begin my studio work in the quiet of daybreak. I work on multiple pieces at a time as a way to avoid procrastination and the fear of making mistakes. Music or audiobooks are essential soundscapes and sources of inspiration for me. The mixed-media work is experimental, mostly relying on processes that often reveal themselves the day after drying.

***How does the space affect your work?***

At the moment, the intimate nature of my space connected to my kitchen leads to small, intimate pieces. The whole area provides both food for the soul and mind.

***How do you interact with the environment outside your studio?***

I have been in the past, but mainly through my community's shared interest in the art of communal gardening.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2025/11/studio-5-karl-mckoy.jpg)

***What do you love about your studio?***

Its quiet intimacy.

***What do you wish were different?***

Could do with a large area or dirty space for paint splashing and larger fabrications.

***What is your favorite local museum?***

The Whitney Museum, as I combine visits with a walk along the New York High Line.

***What is your favorite art material to work with?***

Most salvaged and found raw materials. I see them as jewels, even when others see them as waste.

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## Allyn Boley, Bloomington, Indiana

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2025/11/studio-2-allyn-boley.jpg)

***How long have you been working in this space?***

In Bloomington since June 2020, in my studio space since May 2023.

***Describe an average day in your studio.***

My studio projects take a lot of time, and I do tend to have several pieces in progress at once. This strategy works for me; when I feel the need to take space from one, I return to another with new eyes and fresh energy. I love listening to podcasts and audiobooks to push my thinking through upcoming work — part of my brain is usually several steps ahead. Then I gravitate toward music for quiet when I realize I’m overthinking.

***How does the space affect your work?***

I do most of my administrative studio work from home (applications, web editing, etc.) and save my studio space for artmaking. For many years I worked exclusively from my living room — I often still do for smaller projects — but my studio offers fewer distractions and less cat hair. It’s pretty private up in my studio, but I love knowing I’m in the center of town and can step outside anytime to walk around the Bloomington Square or down the B-Line.

***How do you interact with the environment outside your studio?***

I love my local arts community and am so grateful to the Bloomington Arts Commission for providing exhibition space, community programs, and funding opportunities to emerging and mid-career artists. There are openings around town every first Friday for Bloomington Gallery Walk, and since it's a university town, there are also public lectures happening across disciplines all the time. A lot of local artists are engaged in fascinating interdisciplinary humanities conversations, and I really love that. I am always learning.

***What do you love about your studio?***

I love my floor! Since I work within a mixed-use office space, my lease requires me to protect the carpet. So, I figured, why not install a temporary floor mural? I painted a seven-by-14-foot raw duck canvas to cover my 163-square-foot studio floor, which I then covered with a clear garage mat. The project took about four months — I held off on moving my desk in until it was finished. It’s so much more fun than the sterile office carpet!

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2025/11/studio-floor_along-the-way-allyn-boley.jpg)

***What do you wish were different?***

I do feel that I’m beginning to outgrow my little studio, though I don’t have plans to expand anytime soon. In April, I’m booked for a solo show at the John Waldron Arts Center here in Bloomington, which will feature 63 charcoal drawings and two interactive installation pieces. I am not sure where to put it all in the meantime! Eventually, I will be looking for more wall space.

***What is your favorite local museum?***

There is currently a sculpture exhibition on view at Griffy Lake Nature Preserve. Making time to be immersed in nature is vital to my process, and I spend a lot of time there. Many of the critters and textures in my work are inspired by moments at Griffy. By way of interior spaces, I do love to see what’s going on at the Waldron Arts Center; sometimes they have a handful of shows happening at once.

***What is your favorite art material to work with?***

This is a tough question, because I like to switch things up frequently. By way of painting, I am now almost exclusively an acrylic painter, though trained in oil and watercolor. By way of drawing, I love charcoal, soft pastel, colored pencil, and Micron pen. One of these days I may play with mixed-media drawing again — that is something I used to do but haven’t explored much in the past decade. I also love taking pictures and do so every day.