> ## Content Index > Fetch the complete content index at: https://hyperallergic.com/llms.txt > Use this file to discover other available public pages before exploring further. # An Installation Weaves Through a Brooklyn Cemetery Chapel - URL: https://hyperallergic.com/aaron-asis-installation-greenwood-cemetery/ - Published: 2016-10-12T14:20:33.000Z - Updated: 2025-11-24T15:57:41.000Z - Description: Aaron Asis has strung fuchsia parachute cord through the chapel at Brooklyn's Green-Wood Cemetery as part of a series of interventions at the burial ground. - Author: Allison Meier - Tags: Art, cemetery, Green-Wood Cemetery, Installation Art, Tristan Perich, #wp, #wp-post, #image-position-hidden, #Import 2025-11-24 07:23 (2016, 2017, part 2) ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood03.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel in Brooklyn (all photos by the author for Hyperallergic) In a series of three site-specific installations, artist [Aaron Asis](http://aaronasis.com/?ref=hyperallergic.com) is highlighting the historic structures of Brooklyn’s [Green-Wood Cemetery](http://www.green-wood.com/?ref=hyperallergic.com). His first piece in [*unSeen Green*](http://www.green-wood.com/event/unseen-green/2016-10-20/?ref=hyperallergic.com)laces through the 1911 chapel, which was designed as a Gothic tribute to Christopher Wren’s [Tom Tower ](https://en.wikipedia.org/wiki/Tom%5FTower?ref=hyperallergic.com)by [Warren and Wetmore](https://en.wikipedia.org/wiki/Warren%5Fand%5FWetmore?ref=hyperallergic.com), of Grand Central Terminal fame. With fuchsia parachute cord weaving over archways and resting on door frames, even emerging out on the façade, the work is intended to encourage a closer look at the building’s architectural details. ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood07.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel Harry Weil, manager of programs at Green-Wood, told Hyperallergic that there are no official details yet on the next interventions by Asis in the cemetery. “However, what I can say is that the two other projects will continue to thoughtfully engage Green-Wood’s built environment after close study and investigation,” Weil said. The current installation lasts two weeks, with musical performances bookending it. Both feature percussionists Owen Weaver and Dennis Sullivan performing [Tristan Perich’s ](http://www.tristanperich.com/?ref=hyperallergic.com)“[Impermanent](https://vimeo.com/29028830?ref=hyperallergic.com).” Perich is best-known for his pieces using 1-bit electronic speakers, such as “Microtonal Wall,” which was part of [the 2013 exhibition *Soundings: A Contemporary Score* ](http://hyperallergic.com/91011/the-sounds-of-silence/)at the Museum of Modern Art and features 1,500 of them. “Impermanent” has just two suspended on either side of tubular bells; Weaver and Sullivan play the bells lightly with mallets to create a drone of sound in the space. ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood02.jpg) Owen Weaver and Dennis Sullivan performing Tristan Perich’s “Impermanent” in the Green-Wood Cemetery Chapel At the opening performance, the music rarely got above a murmur, often drowned out by the shifting of the audience in the church pews or on mats sprawled on the stone floor. The 1-bit speakers punctuated the ripple of the quiet bells with high-pitched notes, their electronic sound able to pierce the heaviness of the space. It made me think of hearing church bells from a tomb. We were in a cemetery, after all, surrounded by at least 600,000 graves. ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood01.jpg) Night view of the Green-Wood Cemetery Chapel Cemeteries were designed as gathering spaces for grief and memory. Green-Wood, for instance, was opened back in 1838 as a place for picnics, carriage rides, and strolls away from the crowded city, as well as a burial ground. The cemetery has recently hosted readings, performances, and other events in its chapel and on its 478 acres, but it’s exciting to see Green-Wood also experiment with contemporary art. Such experiences can encourage a new type of congregation at the cemetery, while still respecting the people interred there. *UnSeen Green* has a light touch, not overtaking the delicate stained glass of the chapel or distracting from architectural highlights like the crowning oculus. It will be interesting to see how Asis, who has previously created [installations](http://aaronasis.com/installations?ref=hyperallergic.com) in complex sites like[ the 30th Street Station](http://www.designboom.com/art/aaron-asis-installation-train-station-philadelphia-10-08-2015/?ref=hyperallergic.com) and [St. Andrews Chapel](http://aaronasis.com/installations/ci-lines?ref=hyperallergic.com) in Philadelphia last year, continues to interact with its built environment for mourning. ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood05.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood06.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood08.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel ![Installation view of 'unSeen Green' by Aaron Asis in the Green-Wood Cemetery Chapel](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2016/10/unseengreenwood067.jpg) Installation view of Aaron Asis’s ‘unSeen Green’ in the Green-Wood Cemetery Chapel [Aaron Asis: unSeen Green](http://www.green-wood.com/event/unseen-green/2016-10-20/?ref=hyperallergic.com) *continues in the chapel of Green-Wood Cemetery (500 25th Street, Sunset Park, Brooklyn) through October 20\. The next performance in the space will take place on*[ *October 20*](http://www.green-wood.com/event/unseen-green/2016-10-20/?ref=hyperallergic.com)*.*