> ## Content Index > Fetch the complete content index at: https://hyperallergic.com/llms.txt > Use this file to discover other available public pages before exploring further. # Art Basel Miami Beach Sobers Up - URL: https://hyperallergic.com/art-basel-miami-beach-sobers-up/ - Published: 2014-12-05T14:01:19.000Z - Updated: 2025-11-24T16:00:17.000Z - Description: MIAMI BEACH — Art Basel Miami Beach (ABMB) opened its doors to the public on Thursday for its 13th edition. While many of the works on view deal with political themes, the overall aesthetic of the show is decidedly restrained compared to years past. - Author: Michael Groth - Tags: Art, Art Basel Miami Beach, Art Fairs, Miami, Photo Essays, #wp, #wp-post, #image-position-hidden, #Import 2025-11-24 07:08 (2014, 2015, part 2) ![MGROTH_20141203_006](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_006.jpg) Tracey Rose, “Art thou not fair KniggerKhaffirKhoon” (2014), in the Dan Gunn booth (all photos by the author for Hyperallergic) MIAMI BEACH — [Art Basel Miami Beach](https://hyperallergic.com/your-concise-guide-to-the-2014-miami-art-fairs/) (ABMB) opened its doors to the public on Thursday for its 13th edition. While many of the works on view deal with political themes, the overall aesthetic of the show is decidedly [restrained](https://hyperallergic.com/you-cant-sit-with-us-at-art-basel-miami-beach/) compared to years past. Primary colors hewing toward neutral and rich earth tones seem to be the palette de rigueur. Simple and tactile materials feature prominently, including earth, wood, plaster, and natural papers. Even the inevitable works made of colored mirrors or lighting seem to avoid ostentation. The muted tone of this year’s ABMB might be a sign of an art fair finding maturity in its second decade. There are plenty of enticing works to discover amid all the usual suspects, particularly in the [Nova](https://www.artbasel.com/en/Miami-Beach/About-the-Show/Sectors/Nova?ref=hyperallergic.com) sector, which features young galleries and works made within the last 3 years, and the [Positions](https://www.artbasel.com/en/Miami-Beach/About-the-Show/Sectors/Positions?ref=hyperallergic.com) sector, where each gallery booth focuses on a single artist’s project. ![MGROTH_20141203_003](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_003.jpg) Tania Candiani, “Telar” (2011–14), in the Instituto de Visión booth ![MGROTH_20141203_002](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_002.jpg) A gallerist operates Tania Candiani’s “Telar” machine ![MGROTH_20141203_001](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_001.jpg) Antoni Tàpies, “Cadira trencada” (1993), in the Timothy Taylor Gallery booth ![MGROTH_20141203_012](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_012.jpg) Rachel Whiteread, “Untitled (Stories)” (1998), in the Luhring Augustine ![MGROTH_20141203_019](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_019.jpg) Roni Horn, “Untitled (‘It is curious to think of all the social, economic, psychological preconditions that are necessary in order for a Jewish actress to win a horse race.’)” (2014), in the Hauser & Wirth booth ![MGROTH_20141203_016](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_016.jpg) Installation view of a recreation of Tetsuya Ishida’s studio in the Y++ Wada Fine Arts ![MGROTH_20141203_009](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_009.jpg) Sherrie Levine, “Red, Yellow, Blue Mirrors: 1-3, Suite VIII” (2014), in the Paula Cooper Gallery booth ![MGROTH_20141203_017](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_017.jpg) Michelle Stuart, “Galesteo” (circa1977), in the Leslie Tonkonow Artworks + Projects booth ![MGROTH_20141203_013](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_013.jpg) Pae White, “Noisy Neighborhood” (2014), in the Kauffman Repetto booth ![MGROTH_20141203_018](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_018.jpg) Detail view, Ishmael Randall-Weeks, “Pilares” (2014), in the Revolver Galeria booth ![MGROTH_20141203_005](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_005.jpg) Gilbert & George, “Bad Thoughts No. 2” (1975), in the White Cube booth ![MGROTH_20141203_007](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_007.jpg) Hrair Sarkissian, “Homesick” (2014), in the Kalfayan Galleries booth ![MGROTH_20141203_008](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_008.jpg) Meleko Mokgosi, “In essence, you can only describe the democratic intuition as other people’s children, not just yours., Exordium” (2013–14), in the Honor Fraser booth ![MGROTH_20141203_010](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_010.jpg) Philippe Parreno, “Marquee (guirlande)” (2014), in the Gladstone Gallery booth ![MGROTH_20141203_011](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_011.jpg) Wang Jianwei, “‘…the event matured, accomplished in sight of all non-existant human outcomes.’ No. 27” (2013), in the Long March Space booth ![MGROTH_20141203_014](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_014.jpg) Ulla Von Brandenburg, “Kostüm, Tier (Costume, Animal)” 2014, in the Art: Concept booth ![MGROTH_20141203_015](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_015.jpg) Gigi Scaria, “Persona” (2013), in the Chemould Prescott Road booth ![MGROTH_20141203_020](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/12/mgroth_20141203_020.jpg) Matt Mullican, “Untitled (Two People in the Subject)” (2014), in the Peter Freeman, Inc. booth [*Art Basel Miami Beach*](https://www.artbasel.com/miami-beach?ref=hyperallergic.com) *continues at the Miami Beach Convention Center (1901 Convention Center Drive, Miami Beach, Florida) until Sunday, November 7.*