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# Artemisia Gentileschi Rakes in $5.3 Million; Souls Grown Deep Announces Four Museum Acquisitions
- URL: https://hyperallergic.com/artemisia-gentileschi-rakes-in-5-3-million-souls-grown-deep-announces-four-museum-acquisitions/
- Published: 2019-11-21T19:17:19.000Z
- Updated: 2025-11-24T16:39:13.000Z
- Description: Also, the New York Public Library purchased 153 Virginia Woolf-related items, an 18th-century Senegalese saber has been returned by France, and more.
- Author: Cassie Packard
- Tags: News, Transactions, #wp, #wp-post, #image-position-hidden, #Import 2025-11-24 07:41 (2019, 2020, part 2)

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/artemisia-gentileschi-lucrece-circa-1630-_c_-artcurial.jpg)

Artemisia Gentileschi, “Lucretia” (c. 1630), oil on canvas, 95.50 x 75 cm (courtesy of © Artcurial)

The dust has settled from a $1.1 billion [**New York Fall Auction Week**](https://hyperallergic.com/first-keith-haring-mural-to-go-to-auction-fetches-3-8m-at-bonhams/). In a predictable bummer, post-auction reports from [ArtTactic](https://arttactic.com/?ref=hyperallergic.com) indicate that work by male artists comprised 98% of the major Impressionist & Modern evening sales and 87% of the Contemporary sales. On the bright side, auction records were set for a handful of important female artists including **Alma Thomas** and **Carrie Mae Weems.**

Over in Paris at [**Artcurial**](https://www.artcurial.com/en/lot-artemisia-gentileschi-rome-1593-naples-vers-1652-lucrece-toile-3949-36?ref=hyperallergic.com)**,** Baroque painter **Artemisia** **Gentileschi**’s “Lucretia” (c. 1630) sold for **$5.3 million**, a significant jump from her previous auction record of $3.6 million.

In other auction news, the [**Museum of Contemporary Art Chicago**](https://www.chicagobusiness.com/nonprofits-philanthropy/everyone-whos-anyone-was-mca-saturday?ref=hyperallergic.com) just raised an impressive **$6 million** at its **2019 Benefit Art Auction**. The auction didn’t only set a record for the museum; it also set an auction record for the entire Midwest.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/toledo_1.jpg)

Mary Elizabeth Kennedy, “Housetop,” block “Log Cabin” variation (c. 1965), Cotton, polyester, nylon, wool blend, 72 x 77 in. (Toledo Museum of Art, Museum purchase and gift of the Souls Grown Deep Foundation © Estate of Mary Elizabeth Kennedy, Image: Stephen Pitkin/Pitkin Studio / Art Resource, NY)

The **Asheville Art Museum** in North Carolina, the **Henry Art Gallery** in Seattle, the **Toledo Museum of Art** in Ohio, and the **Baltimore Museum of Art** are the latest museums to acquire work from the [**Souls Grown Deep Foundation**](https://www.artforum.com/news/souls-grown-deep-foundation-makes-four-new-museum-acquisition-agreements-81314?ref=hyperallergic.com), an Atlanta-based nonprofit dedicated to raising the profile of artists from the African American South. Founded in 2010 to safeguard work from William S. Arnett’s substantial collection of “outsider art,” Souls Grown Deep has been strategically transferring its holdings to major arts institutions since 2014\. Accounting for the latest agreements, it has placed more than 375 works in 20 institutions; the acquisition highlights exhibitions should be just around the corner.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/2018-22_hammond_chai_wan.jpg)

Jane Hammond. Chai Wan. 2005\. Selenium toned silver gelatin print. Henry Art Gallery, gift of John and Shari Behnke, 2018.22\. © Jane Hammond.

The [**Henry Art Gallery**](https://www.artforum.com/news/seattle-s-henry-art-gallery-gifted-fifty-one-artworks-81332?ref=hyperallergic.com) is having a good week: in addition to the Souls Grow Deep acquisitions, it just received a gift of 51 contemporary artworks from **John and Shari Behnke**, Seattle-based philanthropists and collectors on the museum’s board.

Meanwhile, the [**Walker Art Center**](http://www.startribune.com/the-walker-is-like-family-minnesota-collectors-give-the-museum-a-remakable-gift/564986862/?refresh=true&ref=hyperallergic.com)in Minneapolis secured a major donation of 79 Expressionist drawings from local collectors **Erwin and Miriam Kelen**. The donation constitutes the largest gift of drawings to the museum to date and includes works by **Jasper Johns, Andy Warhol, Marlene Dumas,** and **William Kentridge.**

In another major acquisition, the **Saul Steinberg Foundation** made a gift to the [**Parrish Art Museum**](https://www.artnews.com/art-news/news/parrish-art-museum-saul-steinberg-acquisition-13580/?ref=hyperallergic.com) in Water Mill, New York: 64 works by — you guessed it — Saul Steinberg, whose illustrations graced the pages of *The New Yorker* for almost six decades.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/86.jpg)

The Currier Museum of Art purchased its second Usonian-style Frank Lloyd Wright-designed house (courtesy of Paula Martin Group at Keller Williams Metropolitan)

In New Hampshire, funds from an anonymous donor allowed the [**Currier Museum of Art**](https://www.bostonglobe.com/2019/11/15/arts/currier-museum-art-now-owns-two-frank-lloyd-wright-houses/?ref=hyperallergic.com) to purchase its (second) Usonian-style **Frank Lloyd Wright**\-designed house.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/virginia-woolf-and-clive-bell-1910.jpg)

Virgina Woolf and Clive Bell, 1910 (courtesy of NYPL)

Bringing their **Charlotte Brontë** miniature book total to five of the existing six, the [**Brontë Parsonage Museum**](https://news.artnet.com/market/bronte-book-goes-home-1709133?ref=hyperallergic.com) acquired a tiny book that a teenaged Charlotte Brontë handmade in 1830 as reading material for her brother’s toy soldiers.

The [**New York Public Library**](https://www.nypl.org/press/press-release/november-20-2019/new-york-public-library-acquires-collection-rare-virginia-woolf?ref=hyperallergic.com) also made a literary acquisition, adding 153 **Virginia Woolf**\-related items — including letters, photographs, and first edition books — to some 3,700 Woolf materials already in its possession. The acquisition was half purchase on behalf of the library and half gift from donor William Beekman.

![](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2019/11/1-shugart_cdv.jpg)

Zachariah Taylor Shugart (1805 – 1881), a Quaker abolitionist who operated a stop on the Underground Railroad at his Michigan farm, ca. 1864\. (The Huntington Library, Art Museum, and Botanical Gardens.)

Rare archives from the American South found their way to California’s [**Huntington Library, Art Museum, and Botanical Gardens**,](https://www.theartnewspaper.com/news/the-huntington-library-acquires-two-collections-of-us-slavery-and-abolition-records-the-historic-documents-highlight-the-complexities-of-documenting-america-s-peculiar-institution-curator-says?ref=hyperallergic.com) which acquired two complementary collections of records regarding the history of slavery and abolitionism in the United States. The sobering acquisitions include written records of the sale and loan of slaves on the Dickinson & Shrewsbury salt-manufacturing plant (est. 1808) in West Virginia as well as the ledgers of the Michigan-based Quaker abolitionist and Underground Railroad stationmaster Zachariah Taylor Shugart. Shugart’s records are a rarity; for their own protection, Underground Railroad operators weren’t typically keen on recordkeeping.

In New York, the [**Whitney Museum of American Art**](https://www.theartnewspaper.com/news/whitney-acquires-88-works-by-biennial-artists?ref=hyperallergic.com) announced the acquisition of 88 works by 40 of the artists featured in the 2019 Whitney Biennial. Some of the artists are already in the institution’s holdings — **Simone Leigh,** for example — while others including **Wendy Red Star** and **Jonathan Lyndon Chase** are collection newcomers. A painting by **Eddie Arroyo,** one of the artists who asked to withdraw his work from the biennial in protest of museum trustee Warren B. Kanders, is among the acquisitions.

In restitution news, an [18th-century **Senegalese saber**](https://news.artnet.com/art-world/france-restitutes-senegal-saber-1707042?ref=hyperallergic.com) finally returned home, having been seized by the French in 1893\. The sword belonged to **Omar Saïdou Tall**, a military and spiritual leader who fought off French colonialists. Tall’s descendants attended the handover from the **French Prime Minister Édouard Philippe** to **Senegalese President Macky Sall**. While French law currently prohibits museums from breaking with any of the objects in their collections, French **President Emmanuel Macron** has been making a bid for the restitution of African artifacts in French museums. Symbolically, the return of Tall’s sword is a good start.