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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Ariella Azoulay

Ariella Aïsha Azoulay’s research and forthcoming book (Verso, 2019) focuses on the potential history of key political concepts and institutions: the archive, sovereignty, art, and human rights. Potential history, a concept and an approach that she has developed over the last decade, has far-reaching implications for the fields of political theory, archival formations, and photography studies. Her books include: Civil Imagination: The Political Ontology of Photography (Verso, 2012), and The Civil Contract of Photography (Zone Books, 2008)

Posted inArt

Free Renty! Reparations, Photography, and the Imperial Premise of Scholarship

Avatar photo by Ariella Azoulay March 2, 2020December 6, 2021

Many scholars write about imperial crimes as their object of study — that is, as something sealed in the past that can be separated from the reparations due.

Posted inArt

Understanding the Migrant Caravan in the Context of Imperial Plunder and Dispossession

Avatar photo by Ariella Azoulay November 29, 2018November 30, 2018

The publication of Felwine Sarr and Benedicte Savoy’s report recommending the restitution of stolen African objects and the approach of what is called a “migrant caravan” toward the US is not a coincidence.

“Like a Homecoming”: Gary Simmons Exhibition Opens at MCA Chicago
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“Like a Homecoming”: Gary Simmons Exhibition Opens at MCA Chicago

Gary Simmons: Public Enemy surveys the artist’s career in exposing legacies of race and class in US popular culture.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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