Subscribe to our newsletter

Get the latest news, reviews, and commentary delivered directly to your inbox. Every weekday.

Posted inUncategorized

5 Great Works Of Internet-related Art

Far too often great art on the Internet gets lost amidst the clutter of virtual mediocrity, or simply gets far too buried in the “shared” list of your RSS aggregator of choice. We’ve done the detective work for you and present five great pieces of art that should be on your radar (or at least saved to a different Bookmarks folder) …

Posted inUncategorized

Available Online for Free

One of the most important social, political, and artistic concerns facing us today is the question of access: our ability to share media, our ability to take ownership of or simply to view films, music, and other forms of art. In the past, non-digital and only finitely reproducible media created a certain type of economic exchange and ownership which has long been upended by file sharing. Every day millions of people download and stream films on the Internet in an alternative form of exchange more related to cultural capital than economic capital. This is a political action accomplished as easily as downloading the flat version of Avatar.

Posted inArt

Information, Aesthetics & Fun: An Interview with AIDS-3D

Hypermedia columnist Artie Vierkant interviews artists Daniel Keller and Nik Kosmas, who are more commonly known as AIDS-3D. Their work deals with a multitude of issues at the intersection of art, technology and society and they frequently employ cultural ephemera from the Internet rendered in aestheticized and irreverent ways.

Their work has been exhibited at The New Museum, PPOW, The X Initiative, Gentili Apri Berlin, Centro de Arte Dos de Mayo, X Biennial de Lyon, and on the Internet. They recently contributed an essay, “Hubris/Nemesis/Whatever” for Art Fag City’s IMG MGMT series.

Posted inInteractive

Hypermedia: Exposure

Hypermedia: Critical Issues in Contemporary Media Art is a column written by artist Artie Vierkant for Hyperallergic. Each article discusses an existing or emerging theme in practices at the intersection of electronic media and the arts, drawing from the contemporary and the historic, the pervasive and the obscure.

The Internet has bred a certain degree of cultural democratization — citizen journalism, revolts aided by the use of Twitter, the rise to fame of Soul’ja Boy, etc. The same is true to a degree in art, but for the most part older methods of working stay cribbed in older methods of distribution.

Posted inBooks

DIWhy? A Review of New Asshole, Issue 1.2

The second issue of Manya Scheps’ quarterly critical journal New Asshole launched on the internet recently in .pdf format. The journal, a self-described “DIY critique of DIY,” focuses primarily on goings on among the collective and community-based art scenes in Philadelphia. (Full disclosure–this is a scene I only recently left to pursue a graduate degree, and an article of mine was published in the first issue. It was a piece of writing that the editor copy & pasted off of my blog without my prior knowledge.)

New Asshole succeeds, however, in not limiting its scope to the politics of the art scene and extends its grasp to act as a sounding board for critical inquiry within the community. Put simply, it exists to call artists and collectives to task, creating a forum where “DIY,” “hip,” or “rad” art can be discussed critically and held accountable.

{"cart_token":"","hash":"","cart_data":""}