During the Bosnian War, somewhat astonishingly, numerous filmmakers in Sarajevo refused to put down their cameras.
Director Graeme Arnfield describes the notion of “a horror film waiting on your doorstep,” but his film seems to suggest it’s already in the house.
For years, Eye Filmmuseum’s Jan Bot has turned film fragments into digital experimental shorts. Now, with the project ending, those shorts will be archived via NFT.
A meticulous blend of fact and fiction, this film surveys the overlooked fringe of Brazilian society under President Bolsonaro.
The “Animistic Apparatus” program at this year’s Berwick Film and Media Arts Festival explored the natural world as a potential audience.