Time is itself a recycling process for Cole, whose freewheeling spirit transcends linearity in his excavations of art and music history.
Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
We spoke with workers at the International Documentary Association about their successful fight for a union.
The artist represents what she describes as the “inner glowing life of individuals,” uplifting self-love despite political and economic strife.
Since 2019, Art Workers’ Inquiry has been developing methods for everyday art workers to speak openly on capitalism and colonialism in the art world.
At NYU’s Latinx Project, a group exhibition explores how Latin, African, and Asian diaspora artists promote sustainability beyond borders.
In two shorts showing as part of García’s exhibition at Amant, she explores the unfinished revolution of diplomat Alexandra Kollontai.
The unhoused can teach a masterclass on survival — and that we are all just one stroke of bad luck away from the same fate.
I am often skeptical of protest art behind glass, yet I still cannot deny the pleasure of experiencing politically charged artworks in a venue making the effort.
Rather than accentuating his radicalism, the Metropolitan Museum of Art’s new exhibition makes Jacques-Louis David a compelling case study in opportunism and survival.
While the 1965 Immigration Act opened the United States for expanded Latin American immigration, the decade that followed found migrant artists actively involved in political struggles for representation.