Sergey Prokudin-Gorsky and Maxim Dmitriev documented drastically different facets of Russia in the late 1800s and early 1900s.
P-Orridge, who helped popularize nonbinary identity, wrote h/er memoir while living out h/er last days with leukemia.
A new tradition is emerging online, uniting Palestinians worldwide and drawing influence from the 20th-century motif.
Presented online and in-person, We Were Already Gone brings together 26 graduates. Here are our highlights.
While the pandemic dominated their final year, these artists nonetheless explore broader issues. Here are some highlights.
On the sesquicentennial of the fall of the Commune, a look back at how artists captured those few revolutionary months.
A collaboration between Carriage Trade and Rectangle, Hearts and Minds analyzes the deceptive repackaging of Western imperialism.
Joseph’s work exudes both playfulness and gravity, evoking fond memories while channeling the sorrow of the last year.
Greaves emphasizes the possibilities of planting seeds in the ruins of violent structures.
When traders on r/wallstreetbets started bankrupting short sellers of GameStop and AMC stock, social media rejuvenated imagery stretching back to the 19th century.
Equally intuitive and intellectual, Bley’s paintings redirect a time-honored form of abstraction into a more communal, cosmic unknowing.
At Company Gallery, a meditative exhibition dedicated to queer desire invites viewers to sit with tension.