A new retrospective expands on the late artist’s legacy as a Black Expressionist who teased out Civil Rights-era tensions in the United States.
Researchers and artists are working to restore biodiversity in Kofele, Ethiopia, through a 50-meter tree nursery in the shape of a lion that will be visible from outer space.
Throughout 2021, Indigenous water protectors and climate justice groups have distributed copyright-free artworks supporting recent anti-pipeline protests in Minnesota.
Figgis’s musings on bourgeois decadence feel particularly canny in a time of widespread inequality.
Founded by Dora Napolitano in 2016, Zurciendo el Planeta planted its “Forest of Hope” international embroidery project in art spaces across Glasgow during COP26.
In his Afro-Expressionist paintings and installations, Adjani Okpu-Egbe ruminates on native resistance in Cameroon and the colonial propaganda promoted in mainstream media.
N.O. Bonzo’s illustrations, murals, and literature build on radical art traditions, addressing relations of labor and identity in local communities and protest movements.
In his new book, Tyler Green argues that landscape was Emerson’s method of glorifying territories shaped and bordered by White men.
The Creative Economy Revitalization Act (CERA) proposes a $300 million federal grants and commissions program for art workers.
Tabitha Arnold’s rugs pay tribute to organizers who lay their bodies on the line in the workplace, in the public square, and in the depths of private prisons.
Sergey Prokudin-Gorsky and Maxim Dmitriev documented drastically different facets of Russia in the late 1800s and early 1900s.
P-Orridge, who helped popularize nonbinary identity, wrote h/er memoir while living out h/er last days with leukemia.