Betelhem Makonnen and Stephanie Concepcion Ramirez trace the influence of neo-colonialism on immigrants from the Global South, merging their personal journeys into a collective experience.
snake skin is a corporeal study of the body politic, in which Khan wields the tools of cultural autopsy in her dissections of ancient ruins and traditions.
The artist, born Corinne Michelle West, is among the forgotten women of the postwar era, who rarely adhered to one style.
Evo Morales made the Wiphala one of the country’s two official flags in 2009. Now, forces that have taken over Bolivia desecrate the emblem, while the resistance waves it proudly.
The recent uprising in Chile is full of references to the beloved Negro Matapacos, who accompanied protesters for many years. As his legend spreads, so too do images of the good boy.
In Paper Borders artists Emma Nishimura and Tahir Carl Karmali articulate the experience of displacement using delicate materials crafted by hand.
Part of the movement’s second generation, the artists embraced personal sentiment in their references to nature and popular culture, resulting in abstractions that are simultaneously experiential and devotional.
The summer hues of coastal Massachusetts deeply influenced Frankenthaler; its landscapes and seashores would become her muses for more than a decade.
At the Katzen Art Center, Maia Cruz Palileo portrays the resilience of ordinary people, setting the stage for greater discussions of postcolonial heritage.