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Risky Business

A liver shot in boxing is a short, quick body punch delivered to the liver with a left hook. The effect can be devastating. (Bernard Hopkins knocked out Oscar De La Hoya with such a shot.) Unfortunately, the tool is often overlooked in today’s prizefights, as boxers prefer headhunting with right-hand crosses aimed at the opponent’s chin. What does the liver shot have to do with Nuture Art’s new show, Systemic Risk? Not much. The exhibition, unlike the body punch, exists in the realm of ideas; it’s a cerebral affair.

Posted inArt

A Tinkerer of the Highest Order

Before I talk about her exhibition, I want to share an anecdote about the artist. In 1997, June Leaf breezed into my studio at the Vermont Studio Center with a disarming smile from ear to ear. (It was the first time we met.) As she looked over my work, chatting and laughing, she spotted my skateboard in the corner of the room. Before I could say no, the 68-year-old woman proceeded to get up from my desk and stand on my skateboard, gently rolling back and forth. I was in love.

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A Painterly Odd Couple

Michaël Borremans’s The Devil’s Dress, and Neo Rauch’s Heilstätten grapple with the human figure and landscapes in contemporary painting. Both artists provide inscrutable visions of humanity, but differ in approach and aesthetic. Where Borremans seems to use a scalpel to paint, Rauch uses a shovel. Borreman is Felix to Rauch’s Oscar.

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A Sculpture Show With Too Much Twin Peaks Not Enough Freaks

Sanford Biggers new exhibition, Cosmic Voodoo Circus, is currently on view at the Sculpture Center in Long Island City. Curated by Mary Ceruti, the executive director and chief curator of the institution, the exhibition is a polite — if not enigmatic — tableau. The work is visually striking, but stiff like Nicole Kidman’s face. The sum is not greater than its parts.