Using the pressures of adolescence and indoctrination of the church as a framework, Campbell captures the stress endured by young women and their bodies.
Sama Alshaibi’s Four Series draws on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom.
“These prints are perhaps my surrender to Shadow,” writes New Mexico-based artist Maja Ruznic.
At the New Mexico State University Museum, performers mine the history of this town that was founded around 1903.
The debut exhibition at New Mexico State University explores the nuances of labor — in birth, in childrearing, and in intergenerational collaboration.
Agnes Pelton was a lifelong seeker whose matriarchal, artistic household set her aesthetic course.
It makes sense that artists would return to New Age strategies in the age we live in. Still, I’m not sure these methods provide much more than temporary soothing.
For the grand reopening of New Capital, a well-loved art space that’s been closed for two years, Chicago-based artist Rebecca Beachy has installed a wide-ranging bone collection.
A review of Jacob Hashimoto’s solo exhibition In the Cosmic Fugue in comics form.
I think of the stage as a bridge upon which our imagination can be embodied.