Belott’s “frozen artworks” signify duration in the interval between the water freezing and the ice melting.
Dan Nadel
Dan Nadel, founder of the Grammy Award-winning publishing company PictureBox, has authored books including Art Out of Time: Unknown Comic Visionaries, 1900–1969 (2006) and Gary Panter (2008), as well as curated exhibitions such as What Nerve! Alternative Figures in American Art: 1960 to the Present (2014–15) and Return of the Repressed: Destroy All Monsters 1973–1977 (2011). Nadel is the key accounts sales director of Artbook | D.A.P
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Daniel Hesidence’s Views of an Imaginary Landscape
Hesidence masterfully balances information and aesthetic pleasure to produce a joy that should not be taken lightly.
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Knowledge About a Thing: Carroll Dunham’s Drawings
Drawings 1982-96 is a modestly titled but very revealing exhibition of drawings by Carroll Dunham, the bulk of which had been owned by Illeana Sonnabend, the artist’s New York gallerist from 1988 to 1994.
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Don’t Spook the Horse: Carroll Dunham on His New Work
The odd one out in Carroll Dunham’s current exhibition of paintings at Barbara Gladstone is “Culture as a Verb” (2013-2015). It’s the closest thing Dunham, or anyone in my recent memory, has come to painting the feeling of terrified, paranoid sorrow.
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Suellen Rocca in the 1960s
In 1968, Suellen Rocca, the artist who painted “Purse Curse,” was a member of the Hairy Who, a group of six artists who exhibited under that moniker from 1966 to 1969 in Chicago, San Francisco, New York and Washington, D.C.
