Belott’s “frozen artworks” signify duration in the interval between the water freezing and the ice melting.
Hesidence masterfully balances information and aesthetic pleasure to produce a joy that should not be taken lightly.
Drawings 1982-96 is a modestly titled but very revealing exhibition of drawings by Carroll Dunham, the bulk of which had been owned by Illeana Sonnabend, the artist’s New York gallerist from 1988 to 1994.
The odd one out in Carroll Dunham’s current exhibition of paintings at Barbara Gladstone is “Culture as a Verb” (2013-2015). It’s the closest thing Dunham, or anyone in my recent memory, has come to painting the feeling of terrified, paranoid sorrow.
In 1968, Suellen Rocca, the artist who painted “Purse Curse,” was a member of the Hairy Who, a group of six artists who exhibited under that moniker from 1966 to 1969 in Chicago, San Francisco, New York and Washington, D.C.