In the second volume of a definitive biography, the art critic Jed Perl recalls how the innovative artist revolutionized sculpture.

Edward M. Gómez
Edward M. Gómez is a graphic designer, critic, arts journalist, and author or co-author of numerous books about art and design subjects, including Le dictionnaire de la civilisation japonaise, Yes: Yoko Ono, and The Art of Adolf Wölfli: St. Adolf-Giant-Creation. He has written for the New York Times, Art in America, the Brooklyn Rail, Salon, Reforma (Mexico), the Japan Times (Japan), and other publications. Edward is the senior editor of Raw Vision, the London-based, international, outsider-art magazine. He is based in New York and London.
A Photographer’s Travels Across the Real American West
In a new book, the photographer Peter Kayafas captures the contemporary soul of a region long obscured by its own enduring myths.
A Soaring Visionary of Afrofuturism and Black Power
In Atlanta, the pride-affirming work of the African American self-taught artist Charles Williams comes into focus in a new, well-researched exhibition.
The Art of Perception
In a new exhibition, the Chinese artist Guo Hongwei uses watercolor to vividly depict nature’s forms — and gently tease the eye.
Issei Nishimura’s Soulful, Expressionistic Art
Intense and deeply personal, the Japanese self-taught artist’s work, now in its first-ever New York solo survey, defies easy labels.
Keeping it Odd — and Real — at the 2020 Outsider Art Fair
With a broader, more international scope, this year’s gathering will offer fresh discoveries at every turn.
Life-and-Death Paintings, From a Career Cut Short
“I’m strongly drawn to saintly artists. I mean people who believe that each brushstroke will save the world or will represent the suffering of humanity in the face of a sheep.”
Male Nudes, Exposed and Examined
In unabashedly sexual, but not necessarily erotic paintings and drawings, the artist Aaron Skolnick focuses on men — naked and intimate.
The “Small-Time Crook” Whose Visions Defied Apartheid
An amateur photographer’s images of louche Cape Town nightlife in the 1960s capture a daring, booze-fueled, melting-pot spirit in the face of apartheid.
Yoko Ono, More Urgent Than Ever
At the Everson Museum in upstate New York, a mini-retrospective highlights the timeliness of the artist’s enduring humanistic and nature-focused themes.
Are Joe Massey’s Prison Drawings the Next Big Thing?
A remarkable cache of drawings by a now-deceased, African-American prisoner in Ohio might be just what the art market has been waiting for.
A Memoir of Art, Love, and Jamaica
The artist Judy Ann MacMillan examines changes in her understanding of herself, the world, and painting against the backdrop of Jamaica’s challenging emergence as a modern, independent nation.