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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Edward M. Gómez

Edward M. Gómez is a graphic designer, critic, arts journalist, and author or co-author of numerous books about art and design subjects, including Le dictionnaire de la civilisation japonaise, Yes: Yoko Ono, and The Art of Adolf Wölfli: St. Adolf-Giant-Creation. He has written for the New York Times, Art in America, the Brooklyn Rail, Salon, Reforma (Mexico), the Japan Times (Japan), and other publications. Edward is the senior editor of Raw Vision, the London-based, international, outsider-art magazine. He is based in New York and London.

Posted inBooks

Bridget Riley’s Razzle-Dazzle Career

by Edward M. Gómez September 14, 2019September 13, 2019

A first-ever biography of the pioneering British modernist charts the creative path of an intense and deeply sensitive painter.

Posted inArt

Rescuing Art Sites on the Endangered List

by Edward M. Gómez September 7, 2019September 9, 2019

The American researcher Jo Farb Hernández has led the charge to preserve fast-deteriorating, self-taught artists’ environments — before they’re gone.

Posted inArt

A German Artist’s Notes From Underground

by Edward M. Gómez July 6, 2019July 5, 2019

Mischa Leinkauf’s images of subterranean urban worlds are formally arresting and packed with metaphorical meaning.

Posted inArt

The Bold, Blessed Paintings of a Sharecropper’s Daughter

by Edward M. Gómez June 8, 2019June 6, 2019

An exhibition showcases the graphically powerful work of Mary T. Smith — a self-taught artist from Mississippi — in a rare, in-depth survey.

Posted inArt

Mona Lisa, Revisited: History’s Symbol and Muse

by Edward M. Gómez May 11, 2019May 10, 2019

With his Mona Lisa Earth Series, Naoto Nakagawa puts Leonardo’s mysteriously grinning subject through a ringer of styles and technical treatments in ambitious, complex images.

Posted inArt

A Gallery’s Eight Decades of Artistic Independence

by Edward M. Gómez May 4, 2019May 3, 2019

Now celebrating its 80th anniversary, Manhattan’s Galerie St. Etienne brings a scholarly approach to a uniquely diverse lineup.

Posted inArt

A Painter’s Path from Bosnia to Florida’s Backwaters

by Edward M. Gómez April 27, 2019April 26, 2019

Amer Kobaslija captures Florida’s lush, strange atmosphere while examining the expressive potential of oil paint’s luminous, elastic, viscous goo.

Posted inArt

A Showcase for Shintō’s Gods

by Edward M. Gómez April 20, 2019April 21, 2019

An exhibition of rarely seen, ancient art explores the complex ideas and rich expressions of Japan’s indigenous religion.

Posted inArt

Miriam Cahn’s Alluring, Angry Art

by Edward M. Gómez April 13, 2019April 13, 2019

If some of Cahn’s images are unexpected or unsettling, it is because, quite simply, they are the expressions of a very self-aware woman’s unapologetic point of view.

Posted inArt

Japan’s Radical Conceptual Art of the 1960s

by Edward M. Gómez April 6, 2019April 7, 2019

An exhibition at Japan Society makes room in the modernist canon for the heady, playful ideas of free-thinking renegades.

Posted inMusic

John and Yoko’s Wedding Album, Once an Oddity, Now an Icon

by Edward M. Gómez March 30, 2019March 30, 2019

An unlikely element of Lennon and Ono’s late-1960s peace campaign was an aural selfie, ahead of its time.

Posted inBooks

A Love Note to the Quirky South

by Edward M. Gómez March 9, 2019March 9, 2019

Decades in the making, the late poet Jonathan Williams’s photo-filled travelogue captures the creative spirit of a region.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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