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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Edward M. Gómez

Edward M. Gómez is a graphic designer, critic, arts journalist, and author or co-author of numerous books about art and design subjects, including Le dictionnaire de la civilisation japonaise, Yes: Yoko Ono, and The Art of Adolf Wölfli: St. Adolf-Giant-Creation. He has written for the New York Times, Art in America, the Brooklyn Rail, Salon, Reforma (Mexico), the Japan Times (Japan), and other publications. Edward is the senior editor of Raw Vision, the London-based, international, outsider-art magazine. He is based in New York and London.

Posted inArt

Spotlighting a Marginalized Master of Art Brut

by Edward M. Gómez March 2, 2019March 1, 2019

According to his psychiatrist, Philipp Schöpke possessed “the extreme opposite of what is called drawing talent.”

Posted inArt

Discovering the Women of Art Brut

by Edward M. Gómez February 23, 2019February 22, 2019

In Vienna, a new exhibition showcases the ideas and accomplishments of self-taught female artists.

Posted inArt

What Is “Outsider” in Unthinkable Times?

by Edward M. Gómez January 12, 2019January 22, 2019

Art’s uplifting power is unmistakably real; today, the works of the most original autodidacts feel more compelling than ever.

Posted inMusic

Yoko Ono Sings As If Our Lives Depended on It

by Edward M. Gómez October 27, 2018October 26, 2018

With Warzone, the artist revisits some of her older anthems, whose themes are more timely than ever.

Posted inArt

Glimmers of Modernism from a 19th-Century Bordello

by Edward M. Gómez September 15, 2018September 16, 2018

A brothel customer’s photographs of 19th-century prostitution, made with sympathy and imagination.

Posted inArt

Elaine de Kooning’s Old House Is Art’s New Home

by Edward M. Gómez September 8, 2018September 7, 2018

In East Hampton, the modern artist’s former residence is emerging as an unexpected cultural hub.

Posted inArt

A Pilgrimage to Art Brut’s Austrian Heart

by Edward M. Gómez July 28, 2018July 30, 2018

An Austrian museum presents a wide-ranging survey of works made over almost 50 years by residents and other autodidacts associated with the Art Brut Center Gugging, near Vienna.

Posted inArt

When the Spirits Guide the Hand

by Edward M. Gómez June 2, 2018June 1, 2018

An intriguing exhibition focuses on art whose makers were compelled to create it by forces greater — and far beyond — themselves.

Posted inArt

Outsider Art Comes to the Metropolitan Museum

by Edward M. Gómez May 26, 2018May 27, 2018

The entry of works from the Souls Grown Deep Foundation into the Met’s collection has prompted the museum to rethink the way it presents 20th-century art history.

Posted inArt

Melvin Way Holds the Keys to the Universe

by Edward M. Gómez March 3, 2018March 2, 2018

Melvin Way’s finely crafted, befuddling works demand to be understood on their own terms. But just what are they?

Posted inArt

Peter Hujar’s Elegy for New York City in the 1980s

by Edward M. Gómez February 24, 2018February 24, 2018

Hujar’s photographs document the effervescent creative spirit that pulsed through the East Village as the AIDS crisis unfolded.

Posted inArt

Luisa Rabbia’s Tiny Marks and Big Mysteries

by Edward M. Gómez February 17, 2018February 17, 2018

With her series Love-Birth-Death, Rabbia addresses some of humanity’s most enduring, universal enigmas.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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