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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Ellen Pearlman

Ellen Pearlman is a writer and new media artist who lives between New York and Asia, where she is a PhD candidate at the School of Creative Media, Hong Kong City University.

Posted inArt

After Decades of Silence, Myanmar’s Artists Have a Chance to Speak

by Ellen Pearlman March 3, 2016

HONG KONG — Optimism is the new normal among artists from Myanmar, and with good reason.

Posted inArt

The Postcolonial Artist Who Found Minimalism Before the Americans

by Ellen Pearlman January 8, 2016January 7, 2016

HONG KONG — Rasheed Araeen is a Pakistan-born, Britain-based, self-described “Afro-Asian” artist whose art and writing are so wildly subversive, it’s taken 40 years for the critical dialogue to catch up to his tremendously prescient but fractious vision.

Posted inArt

At a Hanoi Prison Museum, a History Too Painful to Aestheticize

by Ellen Pearlman December 23, 2015December 22, 2015

HANOI, Vietnam — The “Hanoi Hilton” is the sarcastic nickname bestowed by US prisoners of war on the Hoa Lo prison in Hanoi, formerly North Vietnam.

Posted inArt

An Artist Persists in Syria in a Time of War

by Ellen Pearlman November 20, 2015November 20, 2015

HONG KONG — What does it feel like to be an artist as the art and architecture of your culture is systematically being obliterated?

Posted inArt

Complex and Gnarly Subjects at a Hong Kong Art Festival

by Ellen Pearlman September 22, 2015September 23, 2015

HONG KONG — Taking the temperature of the art at Hong Kong South Island Art Day 2015, the thermometer reads hot and feisty. Young Hong Kong artists also appear bruised — with Occupy Central, self immolations in Tibet, the fractious situation with mainland China, and the more droll issues of their global peers on their minds.

Posted inArt

Yoko Ono Finally Gets the Solo She Deserves

by Ellen Pearlman August 11, 2015August 16, 2015

When Beatle John Lennon, artist Yoko Ono’s third husband, was shot and killed in 1980, Ono went into deep mourning.

Posted inArt

What China Doesn’t Want You to See: The Beijing Film Festival Comes to New York

by Ellen Pearlman August 6, 2015August 6, 2015

The Beijing Independent Film Festival, organized and supported by the Li Xianting Film Fund, has been chugging along in fits and starts since its humble beginnings in 2004.

Posted inPerformance

Human Performers and Toddler-Size Robots, Dancing Side by Side

by Ellen Pearlman June 19, 2015June 19, 2015

This is the year of the robot, starting with the movie Ex Machina and filtering down to the performing arts, which have seen a spate of humans dancing with robots in touching pas de deux.

Posted inArt

Listening Is the New Performing

by Ellen Pearlman June 1, 2015June 4, 2015

The Whitney Museum of American Art made a particularly savvy choice by teaming up with Issue Project Room to present David Rosenboom’s Propositional Music, a three-day concert series spanning 50 years of his extraordinary compositions.

Posted inArt

Fantasy and Utopia in the Metropolitan Museum’s Chinese Fashion Show

by Ellen Pearlman May 25, 2015May 26, 2015

China was, and will always be, in its heart of hearts, an empire — whether it is royal, revolutionary, or techno-bureaucratic-communist-cum-capitalist.

Posted inArt

In Plains Indians Exhibition, Met Museum Favors Beauty Over Context

by Ellen Pearlman April 14, 2015April 16, 2015

The Metropolitan Museum has mounted a show of 137 rare pieces of art of the Plains Indians, on loan from 58 different international collections.

Posted inArt

Under Western Influence, Tibetan Artists Turn to Identity Politics

by Ellen Pearlman March 30, 2015April 6, 2015

To celebrate its 20th anniversary, the Trace Foundation commissioned 30 works from contemporary Tibetan and Tibet-influenced Western artists, asking a simple question: what does it mean to be Tibetan today?

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