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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Mohamad Khalil Harb

MK Harb is a writer from Beirut, currently serving as Editor-at-Large for Lebanon at Asymptote. He received his Master of Arts in Middle Eastern Studies from Harvard University in 2018. His work has been published in BOMB Magazine, The Times Literary Supplement, Hyperallergic, Art Review Asia, Asymptote, and Jadaliyya. He is currently working on a collection of short stories pertaining to the Arabian Peninsula.

Posted inArt

Huguette Caland’s Restless Joie de Vivre

Avatar photo by Mohamad Khalil Harb November 25, 2020November 25, 2020

Divided into geographical chapters, Faces and Places catalogs the artist’s desire for constant change, be it physical or ideological.

Posted inFilm

The Unwavering Beauty of In the Mood for Love

Avatar photo by Mohamad Khalil Harb September 7, 2020June 24, 2022

Twenty years later, Wong Kar-wai’s celebrated film remains a master work of affect, though the eeriness of certain scenes sit more heavily given current events in Hong Kong.

Posted inArt

El Anatsui’s Urgent Visions of the Past and Future

Avatar photo by Mohamad Khalil Harb January 18, 2020January 17, 2020

While the material itself consists of forgettable or disposable objects from everyday life, El Anatsui transforms these into remarkable forms embedded with narratives and histories in manifold ways.

Posted inBooks

Examining the Suspended Present of Beirut’s Cultural Geography

Avatar photo by Mohamad Khalil Harb November 6, 2018November 5, 2018

Judith Naeff argues that Beirut exists in a prolonged state of “protracted ‘presentness’ with limited access to past and future” — specifically, a prolonged state of precarity.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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