Camnitzer’s retrospective at the Museo Reina Sofía surveys his ironic, bluntly critical work since the 1960s.
Paloma Checa-Gismero
Paloma Checa-Gismero has been writing art criticism since 2009. Originally from Madrid, she is a Southern California transplant and a scholar of global biennials. Paloma is a PhD Candidate in Art History, Theory, and Criticism at the University of California, San Diego. Check out her work at palomachecagismero.net
