The intricate patterns and strategic colors of the linens used on mummified remains have only begun to be understood by humanists, museum specialists, and chemists working together.
Sarah E. Bond
Sarah E. Bond is associate professor of history at the University of Iowa. She blogs on antiquity and digital humanities, and is the author of Trade and Taboo: Disreputable Professions in the Roman Mediterranean.
Posted inHistory
What Can Shackled and Beheaded Skeletons Reveal About Roman Servitude?
The mere mention of slavery continues to grab attention, even if the evidence is inconclusive.
Posted inArt
What the “Nefertiti Hack” Tells Us About Digital Colonialism
A hacked 3D scan of the famous sculpture shows how traditional models of heritage ownership might change in museums.
Posted inHistory
Discovery of an Industrial Brewery in Ancient Egypt Rewrites the History of Beer
To archaeologists, understanding the building of the Pyramids at Giza is a matter of scaling up the labor system seen earlier at sites like Abydos.
Posted inArt
A World-Famous Ancient Collection, on Display for the First Time, Awaits Visitors in Rome
The impressive exhibition undertaken by the Capitoline Museums and the Torlonia Foundation was 40 years in the making, and placed close to 100 marble sculptures from the storied Torlonia collection on view.
Posted inArt
Identifying Slut-Shaming, Racism, and Transphobia in the Byzantine World
In his new book, Roland Betancourt examines how stories of gender, race, and sexuality from the Byzantine world of the Eastern Mediterranean provide insight into the intersectionality that existed in the medieval world.
Posted inArt
How Academics, Egyptologists, and Even Melania Trump Benefit From Colonialist Cosplay
From khakis to pith hats, certain items of clothing have become enduring emblems of European colonialism and particular scholars who know these problematic histories choose to engage in the aesthetics of colonialism in their everyday lives.
Posted inArt
How Racial Bias in Tech Has Developed the “New Jim Code”
When machine learning and the use of computers are emphasized in artistic research, in reconstructions, or in beauty contests, viewers often take the results to be scientific, objective, and unbiased. But they are not.
Posted inArt
Seeing Through the History of Ancient Roman Glass
Emerging technologies used for chemical and isotopic analysis combined with new archaeological discoveries are uncovering the sources, craftsmanship, and long-distance trade of the delicate commodity of “Alexandrian glass.”
Posted inArt
The Story of the Black King Among the Magi
The story behind the rise and decline of the popularity of the black magus during the Renaissance has been largely forgotten, but at one time, the tale was used to explain the perceived need for conversion to Christianity, the three ages of man, as well as emerging theories of race.
Posted inArt
Did the Ancient Romans Use Infographics?
A new book by classicist and historian Andrew M. Riggsby investigates the types of information technologies drawn, painted, and inscribed on the surfaces of the ancient Roman world.
Posted inArt
The Origins of White Supremacists’ Fear of Replacement
This fear of being replaced can be traced to the French far right, but racist fears regarding supposed White genocide, and invasion by varied ethnic groups, go back centuries.