The intricate patterns and strategic colors of the linens used on mummified remains have only begun to be understood by humanists, museum specialists, and chemists working together.
The mere mention of slavery continues to grab attention, even if the evidence is inconclusive.
A hacked 3D scan of the famous sculpture shows how traditional models of heritage ownership might change in museums.
To archaeologists, understanding the building of the Pyramids at Giza is a matter of scaling up the labor system seen earlier at sites like Abydos.
The impressive exhibition undertaken by the Capitoline Museums and the Torlonia Foundation was 40 years in the making, and placed close to 100 marble sculptures from the storied Torlonia collection on view.
In his new book, Roland Betancourt examines how stories of gender, race, and sexuality from the Byzantine world of the Eastern Mediterranean provide insight into the intersectionality that existed in the medieval world.
From khakis to pith hats, certain items of clothing have become enduring emblems of European colonialism and particular scholars who know these problematic histories choose to engage in the aesthetics of colonialism in their everyday lives.
When machine learning and the use of computers are emphasized in artistic research, in reconstructions, or in beauty contests, viewers often take the results to be scientific, objective, and unbiased. But they are not.
Emerging technologies used for chemical and isotopic analysis combined with new archaeological discoveries are uncovering the sources, craftsmanship, and long-distance trade of the delicate commodity of “Alexandrian glass.”
The story behind the rise and decline of the popularity of the black magus during the Renaissance has been largely forgotten, but at one time, the tale was used to explain the perceived need for conversion to Christianity, the three ages of man, as well as emerging theories of race.
A new book by classicist and historian Andrew M. Riggsby investigates the types of information technologies drawn, painted, and inscribed on the surfaces of the ancient Roman world.
This fear of being replaced can be traced to the French far right, but racist fears regarding supposed White genocide, and invasion by varied ethnic groups, go back centuries.