Earlier in the month I was working on an essay about Jarrett Min Davis, an artist who depicts battle scenes. With paintings by Francisco Goya, Otto Dix and Leon Golub as well as military-themed work by younger artists like Steve Mumford and Davis on my mind, I looked forward to The Joe Bonham Project at Storefront.
The National Academy Museum’s Annual Exhibition, often seen as the Whitney Biennial’s dowdy cousin, still privileges the rich traditions that bigger museums, galleries, and curators often overlook when they focus on younger, sexier media like video, installation, and social sculpture. This year, due to the economic downturn, the 185th NAM Annual includes less art than usual, but has continued to choose outstanding artists deeply engaged in traditional studio practice.
Jason Andrew is the curator and archivist for the Estate of Jack Tworkov and was the mastermind behind the recent retrospective of Jack Tworkov’s work. A prominent figure in the Bushwick art scene, Jason Andrew is also the founding director of Norte Maar, which encourages, promotes, and supports collaborations in the arts.
Artist and writer Sharon Butler corresponded with Andrew about Jack Tworkov’s contribution to New York’s art scene in the 1940s, 50s and 60s.