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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Tania Bruguera

For over 25 years, Tania Bruguera has created socially-engaged performances and installations that examine the nature of political power structures and their effect on the lives of its constituency. Her research focuses on ways in which art can be applied to everyday political life; on the transformation of social affect into political effectiveness. Her long-term projects are intensive interventions on the institutional structure of collective memory, education and politics. Her works often expose the social effects of political forces and present global issues of power, migration, censorship and repression through participatory works that turn “viewers” into “citizens.”

Posted inOpinion

Why I Will Not Go to This Year’s Havana Biennial

by Tania Bruguera April 15, 2019

I am not going to the 13th Havana Biennial because my struggle to achieve freedom of expression in Cuba, my defense of cultural rights, and my efforts to end political hatred among Cubans and defend the right to demonstrate in the streets are not limited to an event. It is my life mission.

“Monumental Concerns” Symposium With Carrie Mae Weems, Hank Willis Thomas, and More
Sponsored

“Monumental Concerns” Symposium With Carrie Mae Weems, Hank Willis Thomas, and More

Scholars, artists, curators, activists, and historians will convene at Syracuse University in October to consider the role of monuments and their contested place in contemporary society.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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