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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Thomas Micchelli

Thomas Micchelli is an artist, writer, and co-editor of Hyperallergic Weekend.

Posted inArt

The Gnarly, Sassy Minimalism of Tom Doyle

by Thomas Micchelli October 19, 2019October 19, 2019

Doyle’s sculpture offers an opportunity to contemplate the beauty of pure form, but without a hint of nostalgia.

Posted inArt

Strokes of Conflict

by Thomas Micchelli September 21, 2019September 21, 2019

The exhibition Wars at David Nolan evokes political and personal violence as facts of modern life.

Posted inArt

An Unlikely Matchup of Paper and Steel

by Thomas Micchelli September 14, 2019September 17, 2019

An odd pairing of drawings by Eva Hesse and sculptures by John Chamberlain sets up unintended comparisons between two artists who otherwise seem to share only an ingrained rebelliousness.

Posted inArt

Piero Manzoni and the Reinvention of Art

by Thomas Micchelli July 20, 2019July 22, 2019

Manzoni’s work can be viewed as slight and Herculean, tragic and buoyant, mystical and materialist, minimal and baroque.

Posted inArt

Leonardo and His Double

by Thomas Micchelli July 13, 2019July 15, 2019

Leonardo da Vinci would have found a deep connection to the ostracism of Saint Jerome at the hands of the envious and the hypocritical.

Posted inArt

The Searing Beauty of Nancy Spero

by Thomas Micchelli June 22, 2019June 22, 2019

With their free interplay of image and text, Spero’s Codex Artaud and the even more ambitious Notes in Time are nothing less than a personal redefinition of the nature and meaning of visual art.

Posted inArt

Visions of Home, from Dream Memories to Trump Country

by Thomas Micchelli June 1, 2019June 1, 2019

The disparity between what we expect from domesticity and what lurks beneath the surface generates a finely wrought tension that coils throughout this show.

Posted inArt

Lucian Freud’s Mountains of Flesh

by Thomas Micchelli May 18, 2019May 18, 2019

Freud’s forlorn, isolated figures and grotty interiors resonate appallingly with the steep cultural and social decline fated by Brexit, if it ever takes effect.

Posted inArt

Encountering “The Fulbright Triptych”

by Thomas Micchelli May 11, 2019June 8, 2019

A rare sighting of an elusive painting.

Posted inArt

Escaping the Neo-Conceptualist Bubble

by Thomas Micchelli May 4, 2019May 5, 2019

An exhibition that questions whether art can be based on formulas without becoming formulaic.

Posted inArt

The Colors of the Sixties

by Thomas Micchelli April 6, 2019December 27, 2019

Spilling Over: Painting in the 1960s at the Whitney Museum expands the common understanding of a pivot point in American art, while basking unapologetically in the pure pleasure of looking.

Posted inFilm

A Frankenstein for the Forever Wars

by Paul D'Agostino and Thomas Micchelli March 23, 2019March 22, 2019

Depraved, a soulful indie take on Frankenstein, proves the perennial relevance of Mary Shelley’s monstrous creation.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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