Lincoln Kirstein’s Modern takes a close look at a period when patriotism was distinct from nationalism, populism did not equal demagoguery, and left-wing radicalism was the coin of the aesthetic realm.
Thomas Micchelli
Thomas Micchelli is an artist, writer, and co-editor of Hyperallergic Weekend.
Posted inArt
Painting Paradoxes of Family, Race, and Prison
Through his father’s profession as a corrections officer, Pat Phillips has found a pictorial strategy for probing the racial chasms of the justice system, and by inference, everyday life.
Posted inArt
Egon Schiele’s Impudent Offspring
Tracing Egon Schiele’s lineage, forward and backward in time.
Posted inArt
What Freedom Costs
Two exhibitions in Vienna take on the fragility of democratic structures.
Posted inArt
Louise Lawler’s Quiet Melancholy
If Lawler’s works were originally read as art about art, they now feel like art for art’s sake.
Posted inArt
The Pursuit of Art, 2018
The creation and interpretation of art remains an anchor and a refuge, a sanctuary for vanishing ideals.
Posted inArt
Kara Walker Invites You to a Public Hanging
Walker’s installation “Virginia’s Lynch Mob” evokes a latter-day Saturnalia, turning the world upside-down.
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Hoarding and Spending at Art Basel Miami Beach
After Safariland, if you need to convince yourself that the art world isn’t entirely in money’s thrall, you’d want to be anywhere but here.
Posted inArt
The Anti-Caravaggio
Pontormo’s figures, though illuminated in godliness, are invariably human in their proportions and hushed in their emotions.
Posted inArt
The Brutalist Invasion of Phyllida Barlow
Barlow’s sculptures may be abstract, but they feel rife with heads, teeth, legs, and orifices of every stripe.
Posted inArt
Italian Painting, Before the Fall
Metaphysical Painting offered a philosophical refuge for Italian artists shaking off their Futurist sugar high.
