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Posted inArt

The 18th C. Food Pornographer at LACMA

Two weeks ago, I found myself in Los Angeles with an afternoon to kill. I ventured to the Los Angeles County Museum of Art and stumbled across a small exhibition by 18th C. Spanish still life painter Luis Meléndez. The exhibition, titled “Master of the Spanish Still Life,” was a quaint two-room show decked out with bizarre gray stucco walls treated with a ragging technique that made it look like a display at a suburban home furnishings shop. Faux finishes aside, what immediately struck me as I perused the canvases were two works in particular that I would characterize as Rococo food porn — they were pretty hot.

Posted inArt

Jack Tworkov’s Contribution to the New York School: An Interview with Jason Andrew

Jason Andrew is the curator and archivist for the Estate of Jack Tworkov and was the mastermind behind the recent retrospective of Jack Tworkov’s work. A prominent figure in the Bushwick art scene, Jason Andrew is also the founding director of Norte Maar, which encourages, promotes, and supports collaborations in the arts.

Artist and writer Sharon Butler corresponded with Andrew about Jack Tworkov’s contribution to New York’s art scene in the 1940s, 50s and 60s.

Posted inArt

Indoor Migration: Dain, Aakash Nihalani & Peep-o-rama

This movement of art in- and outside has been of interest to me since I regularly began following street art about a year ago. The contexts in which the work can be seen often varies dramatically, and these environmental shifts raise a number of questions: does the work itself change as it traverses public and private domains? If so, how? And what does this translation mean for our understanding of the work? A few months ago, I crisscrossed Brooklyn and Manhattan to investigate street art’s translation from the street to a gallery setting.

Posted inArt

Peru Ana Ana Peru Goes Inside at Brooklynite

Depending on how a street artist uses the street they may have something to lose by moving into a gallery space. Peru Ana Ana Peru, which is composed of two artists, use the street primarily as a way of making their striking and fantastical images even more so. We are struck by a colorful image or by a traditional picture frame on a signpost. We wonder what they’re doing there, so we investigate. But a closer inspection is unhelpful: An old portrait with the face scratched out? What does “Peru Ana Ana Peru” even mean?

Posted inArt

Information, Aesthetics & Fun: An Interview with AIDS-3D

Hypermedia columnist Artie Vierkant interviews artists Daniel Keller and Nik Kosmas, who are more commonly known as AIDS-3D. Their work deals with a multitude of issues at the intersection of art, technology and society and they frequently employ cultural ephemera from the Internet rendered in aestheticized and irreverent ways.

Their work has been exhibited at The New Museum, PPOW, The X Initiative, Gentili Apri Berlin, Centro de Arte Dos de Mayo, X Biennial de Lyon, and on the Internet. They recently contributed an essay, “Hubris/Nemesis/Whatever” for Art Fag City’s IMG MGMT series.

Posted inArt

iBlanket: “Ads” That Don’t Sell & Encourage Debate

My husband was walking down Bedford Avenue on Wednesday, and he spotted someone pasting up posters on a wall which is almost always dominated by a giant Shepard Fairey poster, so frequently in fact that it might as well be his permanent ad space. It was lunchtime and no one stopped or cared. Knowing my love of street art, and what can sometimes be inane details, he quickly snapped a pic with his camera phone and emailed it to me with the message, “Someone covering up fairey [sic].”

What at first glance appeared to be a run of the mill “sniping” (i.e. illegal posting of corporate advertising), turned out to be a new street art campaign, iBlanket, though the artist prefers the term public art. The brain child of Bushwick artist Ann Oren, iBlanket riffs off the ubiquitous Apple “i” genre and turns our attention to the problems of homelessness just as the temperatures have started to plummet.