I received an email from Nasser and Co in response to the article “WTF is Primitive vs. Tribal Art” where I had sited that the gallery had used both the terms “primitive” and “tribal” on their façade and website respectively, to describe the artwork they exhibit and sell. Assured that both terms did not form part of contemporary art lexicon, I was curious as to why the gallery had decided to use these terms.
So, as a service to you (and ourselves) we’ve compiled a help guide to all the guides we could find to the 2011 Miami art fairs.
MANILA, Philippines — Where does one start with Philippine contemporary art? So little is known outside the country, even amongst foreign-born Filipinos.
MANILA, Philippines — As is so often said about Chongqing, you’ve never heard of it, but with 30 million people and rising, it’s one of the largest municipalities in the world (for perspective, all of New York state has some 20 million people). Located in the heart of southwest China, a former city in Sichuan Province but now independent, Chongqing also hosts the country’s largest graffiti street, and perhaps the world’s.
NEW ORLEANS – Prospect 2 isn’t just about the new or the conceptual or the overwrought: William Eggleston brings a pair of several decades-old works to his Prospect installation at the Old US Mint on the edge of the French Quarter, and together they offer the most satisfying viewing experience of anything I’ve seen so far in this edition of the biennial.
Hyperallergic is off to Miami today for the art fairs. Expect daily updates with photos, commentary, observations and news. See you in Miami.
This past weekend I was in St. Petersburg, Russia for the “Art & Reality” conference. During that trip I had the pleasure of taking some time off to visit the world-renowed Hermitage museum. For my first post about the Hermitage, I wanted to post a series of images of interiors that give a sense of the beauty to be found inside.
“White Ambassador” is a provocative title for an art work in America and it is the title of artist Nate Hill’s latest work that tackles race.
NEW ORLEANS — Of all the stories about New Orleans, John Kennedy Toole’s A Confederacy of Dunces is one of the most universally beloved. So an artist who attempts to engage it in a different medium has their work cut out for them from the get-go: anyone who’s read Toole’s posthumously published comedic opus already has their own idea of how Ignatius J. Reilly and his world should be brought to life.
America has finally woken up to discover that the free life they thought they were living is really governed by a system. A system designed at first glance to be “for the people, by the people.” But in recent years we’ve all realized that this is furthest from the truth. Facets of the system are under scrutiny. So in light of the Occupy Wall Street movement, perhaps it’s time for artists to rewrite the rules of the game.
Hi Hyperallergic fans! Hyperallergic is in the running for a blogging award in Russia worth thousands of dollars and WE NEED YOUR HELP!
Click here to head straight to the poll (it’s In Russian) and click the big GREEN BUTTON to vote for Hyperallergic (like in the illustration).
And THANK YOU for helping make Hyperallergic the premiere venue for art news, criticism and reviews online.
CHICAGO — If you haven’t seen Colossal, don’t worry: you will. It’s an art and design blog which is, well, what it says it is. It’s getting mentioned everywhere, including here on Hyperallergic. It so happens that the blog’s creator, Chris Jobson, and I have known each other for years, and we live about three blocks from each other on Chicago’s north side. So I thought I would see if the guy who’s responsible for bringing such cool stuff to the world’s attention would overcome his modesty and talk about himself for a few minutes.