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Always Social: Getting Noticed (2008-2010), Part Two

The most striking aspect of social media art is that it contains facets of net.art, by being digital; visual art, by existing on a two-dimensional surface; public art, by existing in spaces used habitually by hundreds of millions of people; and performance art, by being inherently social. Whether the aggregate is greater than its sum remains to be seen …

Posted inArt

The Art World Gets Trashed

This problem isn’t just with the state of criticism in the Los Angeles art world, it’s music and books now too. It is as if anyone who puts pen to paper or fingers to keyboard are more fanboy then critic. It’s one thing to be enthusiastic, loving, and caring for a medium you believe in deeply, it’s another to be so blinded by your affection that you can no longer be honest with yourself and your audience. It’s about liking something solely based on hoping that you will be liked back.

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Always Social: Social Media Art (2004-2008), Part One

Some time in 2004, I logged onto Facebook for the very first time. My alma mater was one of the few allowed coveted access to the Harvard-originated social network. I filled out a profile, uploaded a picture and began adding friends. A coast away, Tim O’Reilly coined the term “Web 2.0” … Computers and the Internet, after decades of association with nerds and misfits, were on the brink of mainstream cool.

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“One Image, One Minute: Significant People Present Significant Images” Event on June 22

Join us at Hyperallergic HQ on Tuesday, June 22 at 7pm for a special fundraising event “One Image, One Minute: Significant People Present Significant Images,” which will benefit Camp Pocket U. “One Image, One Minute … ” invites you to look and listen to various people in and outside the art world respond to images that made a major impact on their lives.