Now that Jerry Saltz has proven himself — yet again — to be an attention whore with his stint on Work of Art, I’m starting to like him more … yes, I love a car crash. And just when we were all jonesing for another fix of “What is crazy uncle Jerry up to?” Artist Jennifer Dalton is opening a show today at the Flag Art Foundation called “Making Sense,” which (among other things) is an “ … attempt to make sense of … New York magazine art critic Jerry Saltz’s incredibly popular Facebook page.” Let the games begin …
Does the thought of mini-golf, beer, and wieners excite you? If the answer is yes, then join us for an awesome evening in Jersey City on Thursday, July 22 where you will have more fun with an art work than should be legally allowed.
Xylo is a street artist who has just started mounting fake iPhones to the walls of London. They’re designed to raise awareness about the electronic worker suicides in China and some of the social injustices feeding our electronic obsession.
In recognition of the Fourth of July, I interviewed groundbreaking artist “Dread” Scott Tyler, whose work is directly engaged in challenging public perception of and reactions to US politics and history. He answered my questions about his desire to engage, America’s relationship to freedom of expression today, nationalism, and the lack of critical discourse around his work.
This is an artist’s essay that explores some of the ideas put forward in Powers’ three-part essay, “Art, Not Suicide,” published earlier this week. -Ed. Note
Elastic City Walks Festival returns to NYC on July 7th for six full weeks filled with new immersive performances and sensory experiences and you can get free tickets here.
The Golden Door is the anachronistic nickname of Jersey City, which acquired the moniker at the turn of the 20th century when it was a magnet for newly arrived Ellis Island immigrants. Today, it is the name of a new temporary mini golf course-cum-art exhibition organized by the Jersey City Museum as an innovative new summer fundraising idea that explores the idea of immigration and interactive “art.”
Lost and hungry is not a good combination. Imagine driving in an unfamiliar place, stomach growling … many miles ago you’ve dropped all your pretenses about needing to eat all-organic food … the urgency of hunger is upon you … suddenly you see it, a huge billboard with the words: MCDONALD’S NEXT EXIT. At that moment, you’re probably not thinking about the fact that it’s typeset in Arial, has no consideration for negative space, lacks attractive colors or that it’s just not a very nice-looking billboard. No, all you see, blazing from atop the trees and urban wasteland, is a glorious sign from God telling you all you need to know at that very moment.
The BP Deepwater oil spill disaster has sparked a tremendous amount of creative outrage, some of which we’ve been exploring on Hyperallergic LABS all week. In addition to various protests and performances, not to mention some satirical Twitter feeds, there have been numerous attempts to critically appropriate BP’s logo.
Sometimes I have strange feelings for my computer. In the 13 years since I set up an email account, I have had a wide ranging series of emotional experiences while facing a screen. In the early days of email, I wrote long letters to friends, like the ones I used to write by hand and send through the mail. I received long letters too: messages of friendship and love and the occasional breakup, though these missives have become increasingly more brief and less frequent since Facebook …
We did it! Last night’s “One Image, One Minute: Significant People Present Significant Images” event was a success. The evening raised over $1,300 for Camp Pocket Utopia in upstate New York, and thank you to everyone who donated to this worthwhile project.
There is a constant dual narrative with Warhol between reality and fantasy, the physical and the mechanical, the life lived and the life watched on a screen, and Warhol, in the end, found it all to be one in the same. This exhibit of Warhol’s late work, Andy Warhol: The Last Decade, is no exception to the contradictions and in fact reveals just about as much as it obscures.