The reels for the aborted film projects had been kept in the archives of Afghan Film, which director Mariam Ghani mined for her new movie What We Left Unfinished.
Film
Films on the Fringes of the Japanese New Wave
A series at the Japan Society opening on April 5 further complicates the definition of the Japanese New Wave cinema, whose parameters are typically difficult to define.
How Agnès Varda Continually Reinvented Herself and Her Work
It’s a blow to both the art and film worlds that there will be no more work from this tireless artist.
Gaspar Noé’s Latest Film Is a Drug-Fueled DJ Mix from Hell
Climax is something of a feature-length DJ mix, with Noé behind the decks.
The Irresponsible Failure of a Netflix Series on the 2012 Delhi Gang Rape Investigation
Richie Mehta’s Delhi Crime uses taut cinematography to distract from its propagandistic storyline.
A New Documentary Creates a Deeply Confused Portrait of Steve Bannon
Alison Klayman’s The Brink is stuck between the idea of Bannon as the Great Manipulator and Bannon as just another hateful fascist agitator.
A Frankenstein for the Forever Wars
Depraved, a soulful indie take on Frankenstein, proves the perennial relevance of Mary Shelley’s monstrous creation.
A New Film Charts the Spread of “Ferrante Fever”
What accounts for the wild success of Elena Ferrante’s Neapolitan Novels? In a 70-minute film, literary luminaries from the US and Italy survey the mysterious author’s cultural impact.
A Rare Opportunity to See a Movie Written by Jean-Paul Sartre
Rarely seen and essentially inaccessible to those based in the US, 1947’s Les jeux sont faits is getting a not-to-be-missed screening in Los Angeles.
Films that Explore How Resentment Shapes Us
On Resentment, a film series opening at BAM on March 20, probes the question: “How does resentment channel our attentions and efforts, and to what ends?”
Hans Op de Beeck Stages Silence
A whimsical fantasia constitutes the film’s emotional and intellectual core.
A Cult Reggae Classic Deemed “Too Controversial” Finally Gets US Release
Babylon (1980) portrays Jamaican musical collectives, called sound systems, as movements of decolonization and resistance.