The moving image artist’s 2002 video *Corpus Callosum launches an onslaught of video effects at indifferent office workers and couch potatoes.
The way director Michael Almereyda mines images of Hampton Fancher’s decades of acting work makes Escapes unique among film industry documentaries.
John Berger’s attraction to the primacy of storytelling led him to the Swiss filmmaker Alain Tanner, who together collaborated on a series of three films, now showing at Metrograph.
Jung Yoon-Suk’s documentary Bamseom Pirates Seoul Inferno tells the story of the college punk duo Bamseom Pirates and the arrest of the band’s producer after posting controversial tweets.
Errol Morris’s film about the photographer Elsa Dorfman touches on big questions about cycles of life and obsolescence, but remains doggedly cheerful.
Composed entirely of archival footage and news reports, The Reagan Show highlights how the 40th US President treated his time in office as an extension of his acting career.
In her debut feature, artist Filipa César documents the digitization of films made in the African country around the time of its independence.
In Transit, the late documentarian Albert Maysles’s final film, was completed after he died in March 2015 and focuses on the journeys of passengers at various stages of life.
I Love Dick is a show about how women are discouraged from having ideas and what happens when one woman lets her fantasies drive her art.
The Film Society of Lincoln Center is presenting A Vision of Resistance: Peter Nestler , the first large retrospective dedicated to the filmmaker in the US.
Wong spent 30 years in the film industry, though racial attitudes of the time kept his contributions unacknowledged until the 21st century.
Maudie, directed by Aisling Walsh, offers a complex portrait of a woman who resided on the literal edges of society and had no formal training, but lived and breathed her painting.