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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Performance

Posted inPerformance

Dancing Across Borders, Blurring the Line Between Hunter and Hunted

by Cleo Abramian June 13, 2018June 13, 2018

A dance company based both in Ramallah and New York City finds fertile ground for experiment working across borders.

Posted inPerformance

A Composer’s Obsession Becomes an Underwater Wonder

by Angelica FreyJune 10, 2018September 16, 2020

Watching puppeteer Basil Twist’s Symphonie Fantastique is like experiencing an extreme episode of synesthesia.

Posted inPerformance

At the Brooklyn Museum, Actors Play at Faking Democracy

by Paul David Young June 8, 2018

The actor’s trade is always a deception, creating the appearance of authenticity.

Posted inPerformance

As Governments Build Walls Between Us, Tapping into the Creative Potential of Destruction

by Vered Engelhard May 1, 2018May 1, 2018

Summoning within her own body the necessary force to make the assemblage crumble, Foulkes transforms the dancer-sculpture duet into an aerial mosh pit.

A scene from Act II of Mozart's Così fan tutte (photo by Marty Sohl, courtesy the Metropolitan Opera)
Posted inPerformance

Mozart Hits the Coney Island Boardwalk in Remix of Così fan tutte

by John Sherer and Andrew Summers March 29, 2018March 29, 2018

The Met’s new production of Così fan tutte stages the comic opera at a Coney Island-style amusement park circa the 1950s.

Posted inPerformance

An Exuberant Exhibition Embodies the History of American Modernist Ballet

by Angelica FreyMarch 21, 2018September 16, 2020

Transmissions shows, deftly and in detail, that ballet is not the rigid art form that some envision it to be.

Posted inPerformance

A Play About Jackson Pollock’s Life Obscures Lee Krasner’s Importance

by Paul David Young February 21, 2018

Pollock by Fabrice Melquiot is in many ways just another paean to the ‘heroic male painter.’

The Boy (countertenor Anthony Roth Costanzo) shows the completed pages of the book to the Protector (baritone Mark Stone), in a scene from Written on Skin at Opera Philadelphia.
Posted inPerformance

The Somber Fate of a Manuscript Illuminator

by John Sherer and Andrew Summers February 16, 2018February 16, 2018

In Written on Skin, currently playing at Opera Philadelphia, an illuminated manuscript artist gets involved with his patron’s wife.

Posted inPerformance

“Welcome to a World Without Trump!”: Guillermo Gómez-Peña’s Latest Performance

by Matt Stromberg February 14, 2018

Gómez-Peña staged “The Most (un) Documented Mexican Artist” at LACE and spoke about his transgressive brand of performance art that takes aim at borders.

Posted inPerformance

Oral Histories of Three US Families Facing Poverty and Hunger

by Monica Uszerowicz January 31, 2018

Pang! is a play that takes the form of live radio, asking the audience to fill in the gap between what they see and hear.

Posted inPerformance

An Uprising Beneath the Streets of Los Angeles

by Paul David Young January 28, 2018January 26, 2018

The 1966 student protests in Durango are the basis for a performance by the Mexico City-based collective Teatro Línea de Sombra.

Posted inPerformance

A Performance Digs Into the Family History on a Found 1950s Wire Recorder

by Allison Meier December 15, 2017December 18, 2017

Say Something Bunny! is a live documentary that excavates the found audio of a 1950s family, and considers what makes these mundane moments compelling.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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