Streetsy’s Jake Dobkin took up the infographic gauntlet we threw at your feet yesterday with a smart chart about the degrees of selling out for street artists … well, we have some annotations.
Next month, the very first sunken conversation pit will open to the public as a museum. The Indianapolis Museum of Art plans to open a private residence designed by Eero Saarinen for industrialist J. Irwin Miller as a design and architecture showcase, featuring interiors (and the conversation pit) by Alexander Girard. To celebrate, we’ve collected the best of American’s modernist houses turned museums, magnificent private residences now made public. There’s Philip Johnson’s Glass House, of course, but also Richard Neutra’s Neutra VDL, Louis Sullivan’s early Charnley-Persky House and Richard Meier’s epic bachelor pad, the Rachofsky House. Get ready for real estate envy — but take heart, you can go visit any of these homes.
The egotistical Hawass is baaaack! Less than a month after leaving his post as Egypt’s Minister of Antiquities due to revolution fallout, Zahi Hawass has returned to the job.
After stopping in to Hyperallergic’s local coffee shop one morning, I noticed something interesting in the newsstand next to the Village Voices and L Magazines. I took a closer look. MoMA’s logo? On a newsprint publication? The Museum of Modern Art is refreshing an old form of advertising to get the word out about two print exhibitions — the printed broadsheet. This two-sided newspaper publicizes the museum’s Impressions From South Africa: 1965 to Now and German Expressionism: The Graphic Impulse with an eye-catching combination of information and print reproductions. Even better, the broadsheet presents the exhibition’s prints in their native multiple format.
Infographics never tell the whole story in that they omit details and attempt to make clear narratives where none exist. But Daniel Feral’s GRAFFITI & STREET ART graphic, which is labeled “a 75th Anniversary celebration of Alfred H. Barr, Jr’s CUBISM & ABSTRACT ART diagram,” attempts to create reason out of the more chaotic narratives of Graffiti and Street Art movements.
Designer Andrea Gallo has created a series of six posters that boil iconic works of architecture down to their minimalist details. The stark, black and white posters cut out silhouettes of the buildings and zoom in, with an eye towards the key elements of famous buildings.
As promised, today we inaugurate the first edition of our newly minted Mail Art Bulletin, catchy, ain’t it? And we start with this work from a rather
hunky talented Vermont-based trio, Wreck & Salvage.
PBS documentary show Frontline features Alison Klayman’s work filming Chinese artist Ai Weiwei’s tumultuous past two years. The journalist has followed Ai through art exhibitions and political scandals alike, interviewing the artist and his family as well as the Chinese artistic community in a powerful portrait of one of the world’s most striking artistic figures.
I never would have imagined stuffy mathematics and playful chance could blend in peaceful harmony, let alone lead to the series of subdued yet provocative drawings on display in James Bills’ current exhibition Golden Parachutes and Tin Handcuffs at Yes Gallery in Greenpoint. Only an artist adept in the language of architectural drafting could manage to successfully transform boring data charts into appealing visualizations of randomly generated numbers produced by the throw of a pair of polyhedral dice.
We want to take a moment to show our appreciation to our monthly sponsors for doing their part and helping us provide you with daily coverage of the art world. This month’s sponsors include Collectrium, Dia Art Foundation’s presentation of Robert Whitman, NYU Steinhardt’s thesis exhibition, Tyler School of Art’s summer intensive art programs and BAMart’s benefit auction.
Architectural criticism takes to the streets in this video walk through of starchitect Zaha Hadid’s new opera house in Guangzhou, the capital of Guangdong province in China. Wandering through the structure’s alien curves and strange spaces, Guardian architecture critic Jonathan Glancey explains how the opera house combines high-concept intellectualism with populism, showing how audiences interact with the space and interviewing an effusive (not to mention operatically dressed) Hadid.
The following is an interview with artist Bently Spang, whose work appears in the Brooklyn Museum’s current Tipi: Heritage of the Great Plains exhibit. Through the interview, Spang explores ideas of Native American identity, cultural stereotypes and the difficulty of showing Native American spiritual objects in museum spaces. The Brooklyn Museum show makes progress, Spang says, but there remain problems to be solved.