Why There Are Great Artists

The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16–April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as “Floor 1” (1967), “Floor with Light at Noon” (1972), and “Two Exact Rules on a Dark and Light Floor” (1975), all done in acrylic on canvas.