Posted inArt

The Artistic Nightmares of Dark Knight Rises

Hyperallergic writers and siblings Brendan and Marisa Carroll recently went to see The Dark Knight Rises, the final film of Christopher Nolan’s Batman trilogy. The gist of the last installment: After eight years of self-imposed seclusion, Bruce Wayne/Batman returns to the fray to save Gotham City from the “reckoning” imposed by a fearsome terrorist named Bane, who has the entire city under siege as a bomb ticks away. Wayne must also contend with a slinky cat burglar named Selina Kyle (aka Catwoman), who is on the hunt for a device that will virtually erase her criminal past — and who will do anything to get it.

Posted inBooks

Art Cannot Provide a Way Out

In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. Her new book takes it a step further.

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