Object-Oriented Curating Continues in 2013 Venice Biennale

The artist list has just been released for New Museum associate director and curator Massimiliano Gioni’s 2013 Venice Biennale, and it features a slew of established names, including Tacita Dean, Carl Andre, and Bruce Nauman. More provocatively, the show will also feature some appropriated objects: “the work of various untrained artists, such as Haitian vodou flags and tantric drawings.”

Cy Twombly’s Estate Accused of Overvaluation and Mismanagement

Artists’ estates have their jobs cut out for them. The organizations have to manage artists’ legacies, watching out for forgeries, validating works, and preserving their reputation while organizing the physical detritus artists inevitably leave behind — collections, unfinished works, studios, and homes. As the New York Times reports, painter Cy Twombly’s estate has run into some financial troubles as its board members have been accused of misappropriating funds.

Latham Zearfoss Knits Together Materiality, Domestic Politics, and Queer Identity

CHICAGO — The absence of the body (politic), the presence of a re-negotiated domesticity and a necessary embracing of the fine line between romance and criticality play forward roles in artist Latham Zearfoss’s work, which embodies radical feminism of days past while looking toward the future. Zearfoss’s new work, which is part of the group exhibition How Do I Look? at Roots & Culture Gallery in Chicago, explores the re-envisioning of a queer aesthetic that delicately tiptoes its way into the gallery space, presenting itself in a quiet way like a cat nestled on a window sill basking in the afternoon sunlight.

The Story of the Ad Man Who Toppled a Military Dictator

PARK CITY, Utah — Close your eyes and picture America’s most famous ad man, the fictional Don Draper of the cable TV hit Mad Men. Now push aside your favorite scenes of Don’s bedroom antics, bourbon-fueled lunches, and persuasive client pitches and think: over five seasons of storytelling, what has the dashing ladies’ man done that’s truly made an impact on the world outside his agency office suite?

Reimagining the Artist-Run Space

BRIGHTON, UK — “No one I know is selling any work,” says artist Scott Mason, who bolsters his income with teaching and the occasional performance, such as the one he is about to give tonight. And none of the dozen people in attendance at the space, Meter Room in Coventry, is waving a checkbook. But then again this is an artist-run space. Mason’s gig and the surrounding exhibition is an exploration of this very type of institution. Collectors, although no doubt welcome, are not really expected.

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