The phrase “barrel of monkeys” generally means a bit of crazy fun. In some cases, though, people may use it as an example of something that’s less fun, i.e. “this party is way more entertaining than a barrel of monkeys.” This contradictory dual meaning makes Barrel of Monkeys a great title for a graphic novel by French cartoonists Florent Ruppert and Jérôme Mulot — in my eyes, at least, because I still haven’t decided whether the book was a really awesome barrel of monkeys or the lesser variety.
SAN FRANCISCO — Recently, I stumbled upon the Descriptive Camera, a project by artist Matt Richardson that harkens back to the days when we could simply describe an image without showing it.
On Monday, a sold-out crowd turned out for our inaugural ArtTalk with Klaus Biesenbach. The event could not have been a more auspicious launch for the #ArtTalk series, with which we hope to host edifying speakers engaged with the world of visual culture in unique and provocative ways.
A member of the punk feminist group Pussy Riot, Maria Alekhina, has declared a hunger strike after a Russian judge refused to allow her to personally attend a court hearing about her possible parole
Look, Ai Weiwei’s been through hell. But that doesn’t mean he needs to put the rest of us through it. And yet, here we are — “Dumbass” has arrived. In terms of metal, Ai Weiwei, in one song, has become the Billy Ray Cyrus of the genre. Billy Ray is about as country as Pat Boone was heavy metal. And as far as metal cred goes, Pat Boone was more believable than Ai.
HONG KONG — “I wanted to enter Hong Kong homes forcefully, allowing these mechanisms of art to become a platform of conspiracy for the Filipino domestic workers.” Sun Yuan and Peng Yu discuss their photographic series on view at Art Basel Hong Kong.
Most of us are somewhat conscious of the way in which the technological tools both create and limit what is possible visually, and how that evolves over time. Leslie Thornton’s new video work, “Luna,” is a tour de force exploration of these possibilities.
Up in a hallway off the Rose Main Reading Room of the New York Public Library is a small exhibition of prints from one of Impressionism’s iconic artists. Created between 1878 and 1898 by Mary Cassatt, the quiet depictions of women in repose with family pets or viewing the opera might not immediately catch the eye of those who happen to pass by, but they represent not just the early experimentations of Cassatt, but one of New York’s greatest overlooked art collections.