The United States Postal Service is in crisis: hemorrhaging money, searching for ways to fix the situation and being blocked by Congress, inching towards privatization. What can any of us do about? Not much, except send more mail. That’s the idea behind artist Jennie Ottinger’s new project, called, cleverly, “Postal Mortem.”
You might walk by some of the permanent works in New York City’s best art collection and not even notice them. The murals embedded in the city’s public spaces — in bars, restaurants, hospitals, skyscraper lobbies, and schools — together make up a historical tapestry of New York’s visual culture.
Laurie Simmons isn’t the first photographer to snap pictures of dolls, but she has a way of getting them to look eerily emotive (and making them take selfies). She pulls off the uncanny by aestheticizing several layers of lies.
Artists are often deemed “right-brained” thinkers, but new research suggests it may be the actual structure of the brain that lends creative talent.
In the latest issue of Cluster Mag, a “magazine of international popular culture,” writer Jesse Myerson places the asset-stripping drama surrounding Detroit’s bankruptcy against a broader historical context, one that dates to the 13th-century failure of Constantinople.
Studios in New York, Chicago, London, Atlanta, and Dunedin, New Zealand.
A look at the contents of the large PAD/D Archive at MoMA QNS.
July 1979. Margaret Thatcher is the Prime Minister of Great Britain. Iran has entered its fourth month as an Islamic Republic, and the Sandinista National Liberation Front have deposed the U.S. backed Samoza dictatorship in Nicaragua. It was against this political backdrop that Lucy Lippard’s exhibition, Some British Art From the Left (June 16 – July 14,1979) finished its run at Artists Space in New York City.