A new book by Mark Speltz brings together over 100 rarely or never-before-published photographs from the Civil Rights era that show its grassroots actions beyond the South.
Sam Durant’s “End White Supremacy” goes up on the facade of the Paula Cooper Gallery in New York, and when it comes down is anyone’s guess.
An exhibition explores how the remains of performance art memorialize the past and re-perform for new audiences.
“Conversations at Moore: Who Is We?” takes place at Moore College of Art & Design on Wednesday, December 7, 2016, 6:30pm – 8pm.
The Polish artist Franciszka Themerson’s distinct pictorial language emphasizes the role of the line and its potential even in its most minimal form.
If you’re concerned about the state of arts funding and support under the new incoming administration, then we have some suggestions of what you can do.
Kimsooja’s practice is an attempt to offer some resolution in these times of war, paranoia, fear, and discrimination.
In 1975, artist Bas Jan Ader attempted to sail across the Atlantic. The discovery of his boat 10 months later sparked a fetishistic fascination with his disappearance.
Our new poetry editor, Wendy Xu, has selected two poems by Ted Powers for her monthly series that brings original poetry to the screens of Hyperallergic readers.
An exhibition at the Philadelphia Museum of Arts explores the many strands of Mexican modern art, shedding light on artists and movements beyond the best-known muralists.
From a Dodger Stadium by Buckminster Fuller to an Ellis Island by Frank Lloyd Wright, a new book gathers hundreds of alternate realities proposed for New York City.
Dozens of artists have converged at Standing Rock, and we interviewed many of them about what’s going on in the fight to stop the Dakota Access Pipeline and how they are getting involved.