This week, save the internet, the language of all-female art exhibitions, lenticular furniture, gender stats at top architecture firms, Leonardo’s toe, and more.
December 2017
The Emotions of Interpretation
The process of interpretation, and its underlying emotions, are at the core of Alejandro Cesarco’s exhibition.
Irving Petlin’s Armada of Discontent
Whatever your life story, it is part of a larger history – this is what Petlin recognizes and is perhaps why he suppresses the personal or anecdotal.
Photographing Northern Ireland’s Mean Streets
During the decades that Northern Ireland’s paramilitary violence garnered worldwide attention, most people were busy making ends meet.
Virginia Wagner’s Landscapes of Exquisite Dread
Wagner would agree with Samuel Beckett, that “Nothing is funnier than unhappiness.”
Ruination and Rumination on the Anthropocene
Patty Chang’s ecological art struggles with its own fatalism.
Photos from the Dashboard
Robert Marshall’s dreamlike images are fleeting, fragmentary glimpses out the window of a moving car or train.
The High Life of Vermeer and his Contemporaries
Vermeer and the Masters of Genre Painting reinserts Vermeer into the tradition in which he worked, both demystifying his paintings and lending force to his particular take on the genre.
Virtually Explore Centuries of Human Settlement Along the South Carolina Coast
Between the Waters is an interactive documentary on the centuries of human settlement in South Carolina’s Hobcaw Barony.
Astrological Aesthetics: December 2017 Horoscopes
Hyperallergic’s horoscopes offer astrological advice for artists and art types, in art terms.