The museum, not unfamiliar with scandal, failed to perform due diligence before showcasing the scrolls.
Some arts organizations misleadingly suggests that artists can get tax deductions for works they donate to charity. Here’s why that’s unfortunately not the case.
In Dean’s works, we shuttle between experiences as personally lived and the sweeping generalizations of the media and historical modernism.
Bruguera, who has spent time detained in Cuba for her political outspokenness, organized the intervention at the Tate Modern as part of her 10,143,210 exhibition responding to the international refugee crisis.
The Art Institute of Chicago is now offering unrestricted access to over 44,000 images from its digital archives.
In Contact Warhol, Peggy Phelan and Richard Meyer analyze never seen before contact sheets calling it Warhol’s final body of work.
Before the Bob Baker Marionette Theater closes next month, it is staging a “Hallow’s Eve Artists Maze” featuring an array of Angeleno performers.
Camilla Engstrom’s recurring character is often found indulging in earthly pleasures while maintaining a sense of wonder.
Over 6,000 people have signed a petition to uninstall the eight-foot-tall bronze monument, a jarringly imprecise monument to the iconic leader in the Civil Rights Movement.
“ITSOFOMO: In The Shadow of Forward Motion” features Wojnarowicz’s haunting spoken-word vocals and composer Ben Neill’s ambient soundscapes.
Marker’s The Owl’s Legacy presents a complex portrait of Ancient Greece in 13 episodes that revolve around single words.
Our poetry editor, Wendy Xu, has selected two poems by Todd Colby for her monthly series that brings original poetry to the screens of Hyperallergic readers.