Today, NFT legal issues, looking closely at Bosch, talking to Beeple, Ken Burns on documentaries, superhero pay, and more.
The Belgian artist Ilse D’Hollander rejected abstraction and figuration as an either/or premise in favor of a path that embraced both.
Two exhibitions by Patricia Satterlee have bookended the plague year.
“Before I Was a Critic I Was a Human Being” by Amy Fung is a collection of linked personal essays about language, displacement, and ownership — about being both an “outsider” and an “intruder.”
Ulala Imai does more than project human feelings onto toys; she proposes that they represent us, and that we share some of their qualities.
Ungaretti should be numbered among the ranks of such Great War poets as Wilfred Owen, Siegfried Sassoon, and Isaac Rosenberg.
SITElab 14 surveys the career of internationally recognized feminist artist May Stevens, on view from March 26 through June 9.
The inaugural exhibition “Ceremonies” will showcase the work of the 11 artists who share the 3,700-square-foot warehouse.
Melvino Garretti describes himself as “more of an anthropologist than an artist.”
How erroneous assumptions about Cuba can skew our understanding of the country’s cultural centers.
The docuseries is the latest look back at the Woody Allen scandal. But do these projects really come from a more enlightened perspective?
Despite its six-hour runtime, the HBO docuseries “Q: Into the Storm” fails to comprehend what draws people to conspiracy theories.