The author, Francesca Stavrakopoulou, pushes back against a later theological worldview that the southern Levantine deity was always a singular, unchanging entity.
Hyperallergic to host the launch of Anemones, a new magazine that will cover stories of liberation and anti-colonialism in the United States, Palestine, and India.
A book forms a disturbing, diverse account of a very turbulent year.
As educational institutions, museums should feel an obligation to be forthcoming about provenance issues with items on display.
Yemeni human rights organization Mwatana has issued a report based on years of research, titled, “The Degradation of History: Violations Committed by the Warring Parties against Yemen’s Cultural Property.”
Even with a tighter virtual program, IFFR is still setting the standard for this year’s arthouse film slate.
The documentary Bellingcat explores the limits and possibilities of activists using social media and public data for investigation.
The Global Guides program at the Penn Museum hires recent refugees from the Middle East to give personalized tours. The leader of my tour was Moumena Saradar, a refugee from Syria who has lived in Philadelphia for two years.
While the museum presents its attempt to identify trafficked antiquities as an altruistic enterprise, its policing of the antiquities market also distracts from its historic role in acquiring looted objects.
After almost 20 years, what started as a temporary memorial has turned into a symbol of extreme nationalism.
An interview series spotlighting New York’s creative community. Hear directly from artists, curators, and art workers about their current projects and personal quirks.
Targeting Iranian cultural heritage is first and foremost bad because of the devastating effects it would have on Iranians. We in the rest of the world may feel a real loss, but that is secondary at best.